“She argued. She cried. She took my faltering, my tortured refusals for something far finer than they really were. At the end of the afternoon, before we left the wood, and with a solemnity and sincerity, a complete dedication of herself that I cannot describe to you because such unconditional promising is another extinct mystery...she said, Whatever happens I shall never marry anyone but you.”
“When she went out she used to wear a lot of eye shadow, which married with the sulky way she sometimes held her mouth to give her a characteristic bruised look; a look that subtly made one want to bruise her more.”
“She died."I had to prompt him."Soon after?""In the early hours of February the nineteenth, 1916." I tried to see the expression on his face, but it was too dark. "There was a typhoid epidemic. She was working in a hospital.""Poor girl.""All past. All under the sea.""You make it seem present.""I do not wish to make you sad.""The scent of lilac.""Old man's sentiment. Forgive me."There was a silence between us. He was staring into the night. The bat flitted so low that I saw its silhouette for a brief moment against the Milky Way."Is this why you never married?""The dead live."The blackness of the trees. I listened for footsteps, but none came. A suspension."How do they live?"And yet again he let the silence come, as if the silence would answer my questions better than he could himself; but just when I had decided he would not answer, he spoke."By love.”
“I am Emma Woodhouse. I feel for her, of her and in her. I have a different sort of snobbism, but I understand her snobbism. Her priggishness. I admire it. I know she does wrong things, she tries to organize other people's lives, she can't see Mr Knightley is a man in a million. She's temporarily silly, yet all the time one knows she's basically intelligent. Creative, determined to set the highest standards. A real human being.”
“I do not plan my fiction any more than I normally plan woodland walks; I follow the path that seems most promising at any given point, not some itinerary decided before entry.”
“She was trying to write a novel, it was so slow, you had to destroy so much and start again; so hard to discover whether one was really a writer or just a victim of a literary home environment.”
“In some mysterious way woods have never seemed to me to be static things. In physical terms, I move through them; yet in metaphysical ones, they seem to move through me.”