“Time in itself, absolutely, does not exist; it is always relative to some observer or some object. Without a clock I say 'I do not know the time' . Without matter time itself is unknowable. Time is a function of matter; and matter therefore is the clock that makes infinity real.”
“Hazard has conditioned us to live in hazard. All our pleasures are dependant upon it. Even though I arrange for a pleasure; and look forward to it, my eventual enjoyment of it is still a matter of hazard. Wherever time passes, there is hazard. You may die before you turn the next page.”
“Each pleasure we feel is a pleasure less; each day a stroke on a calendar. What we will not accept is that the joy in the day and the passing of the day are inseparable. What makes our existence worthwhile is precisely that its worth and its while - its quality and duration - are as impossible to unravel as time and space in mathematics of relativity.”
“There comes a time in each life like a point of fulcrum. At that time you must accept yourself. It is not any more what you will become. It is what you are and always will be. You are too young to know this. You are still becoming. Not being.”
“In a vivid insight, a flash of black lightning, he saw that all life was parallel: that evolution was not vertical, ascending to a perfection, but horizontal. Time was a great fallacy; existence was without history, was always now, was always this being caught in the same fiendish machine. All those painted screens erected by man to shut out reality - history, religion, duty, social position, all were illusions, mere opium fantasies. - The French Lieutenant's Woman”
“I am Emma Woodhouse. I feel for her, of her and in her. I have a different sort of snobbism, but I understand her snobbism. Her priggishness. I admire it. I know she does wrong things, she tries to organize other people's lives, she can't see Mr Knightley is a man in a million. She's temporarily silly, yet all the time one knows she's basically intelligent. Creative, determined to set the highest standards. A real human being.”
“Her stare fixed me. Without rancour and without regret; without triumph and without evil; as Desdemona once looked back on Venice. On the incomprehension, the baffled rage of Venice. I had taken myself to be in some way the traitor Iago punished, in an unwritten sixth act. Chained in hell. But I was also Venice; the state left behind; the thing journeyed from.”