“You may think novelists always have fixed plans to which they work, so that the future predicted by Chapter One is always inexorably the actuality of Chapter Thirteen. But novelists write for countless different reasons: for money, for fame, for reviewers, for parents, for friends, for loved ones; for vanity, for pride, for curiosity, for amusement: as skilled furniture makers enjoy making furniture, as drunkards like drinking, as judges like judging, as Sicilians like emptying a shotgun into an enemy's back. I could fill a book with reasons, and they would all be true, though not true of all. Only one same reason is shared by all of us: we wish to create worlds as real as, but other than the world that is. Or was. This is why we cannot plan. We know a world is an organism, not a machine. We also know that a genuinely created world must be independent of its creator; a planned world (a world that fully reveals its planning) is a dead world. It is only when our characters and events begin to disobey us that they begin to live.”

“There are many reasons why novelists write but they all have one thing in common a need to create an alternative world.”

“Let us always remember our fallen ones all those around world who are suffering due to tragic events, famine, disease, poverty, and needless wars. May we open our minds and realize that we are all one in the same. We are all human no matter where it is in the world you are from. We all breathe the same air, and walk on the same earth. Love self and each other as self and begin to mend the world beginning with self.”

“Why one writes is a question I can answer easily, having so often asked it of myself. I believe one writes because one has to create a world in which one can live. I could not live in any of the worlds offered to me — the world of my parents, the world of war, the world of politics. I had to create a world of my own, like a climate, a country, an atmosphere in which I could breathe, reign, and recreate myself when destroyed by living. That, I believe, is the reason for every work of art.”

“My life will be what I make it," he told her. "That is true for all of us all the time. We cannot know what the future will bring or how the events of the future will make us feel. We cannot even plan and feel any certainty that our most carefully contrived plans will be put into effect. Could I have predicted what happened to me in the Peninsula? Could you have predicted what happened to you in Cornwall? But those things happened to us nevertheless. And they changed our plans and our dreams so radically that we both might have been excused for giving up, for never planning or dreaming again, for never living again. That too is a choice we all have to make.”

“And that's the last chapter of the history of the world: in which we create, through the workings of the imagination, a world that is uncreated: that is the work of no author. A world that imagination cannot thereafter alter, not in its deepest workings and its laws, but only envision in new ways; where our elder brothers and sisters, the things, suffer our childish logomantic games with them and wait for us to grow up, and know better; where we do grow up, and do know better.”