“With the years his dislike of humbug had increased; the orthodoxy he had worn in the 'sixties', as he had worn side-whiskers out of sheer exuberance , had long dropped off, leaving him reverent before three things alone - beauty, upright conduct, and the sense of property; and the greatest of these now was beauty.”
“Politics are popularly supposed to govern the direction, and statesmen to be the guardian angels, of Civilization. It seems to me that they have little or no power over its growth. They are of it, and move with it. Their concern is rather with the body than with the mind or soul of a nation. One needs not to be an engineer to know that to pull a man up a wall one must be higher than he; that to raise general taste one must have better taste than that of those whose taste he is raising.”
“Memory heaps dead leaves on corpse-like deeds, from under which they do but vaguely offend the sense.”
“Not the least hard thing to bear when they go from us, these quiet friends, is that they carry away with them so many years of our own lives.”
“Art is that imaginative expression of human energy, which, through technical concretion of feeling and perception, tends to reconcile the individual with the universal, by exciting in him impersonal emotion. And the greatest Art is that which excites the greatest impersonal emotion in an hypothetical perfect human being.Impersonal emotion! And what - I thought - do I mean by that? Surely I mean: That is not Art, which, while I am contemplating it, inspires me with any active or direct impulse; that is Art, when, for however brief a moment, it replaces within me interest in myself by interest in itself. For, let me suppose myself in the presence of a carved marble bath. If my thoughts be: 'What could I buy that for?' Impulse of acquisition; or: 'From what quarry did it come?' Impulse of inquiry; or: 'Which would be the right end for my head?' Mixed impulse of inquiry and acquisition - I am at that moment insensible to it as a work of Art. But, if I stand before it vibrating at sight of its colour and forms, if ever so little and for ever so short a time, unhaunted by any definite practical thought or impulse - to that extent and for that moment it has stolen me away out of myself and put itself there instead; has linked me to the universal by making me forget the individual in me. And for that moment, and only while that moment lasts, it is to me a work of Art. The word 'impersonal,' then, is but used in this my definition to signify momentary forgetfulness of one's own personality and its active wants.”
“To every man of great age - to Sir Wlater Bentham himself - the idea of suicide has once at least been present in the ante-room of his soul; on the threshold, waiting to enter, held out from the inmost chamber by some chance reality, some vague fear, some painful hope. The Man of Property, p. 363”