“Love! Beyond meaure - beyond death - it nearly kills. But one wouldn't have been without it.”

“The fascination of [Joseph Conrad’s] writing lies in a singular blending of reality with romance – he paints a world of strange skies and seas, rivers, forests, men, stranger harbours and ships, all, to our tamed understanding, touched a little by the marvelous. Beyond all modern writers he had lived romance; lived it for many years with a full unconscious pulse, the zest of a young man loving adventure, and before ever he thought to become a writer. How many talents among us are spoiled by having no store of experience and feeling, unconsciously amassed, to feed on! How many writers, without cream inside the churn, are turning out butter!”

“Love has no age, no limit; and no death.”

“But all over-expression, whether by journalists, poets, novelists, or clergymen, is bad for the language, bad for the mind; and by over-expression, I mean the use of words running beyond the sincere feeling of writer or speaker or beyond what the event will sanely carry. From time to time a crusade is preached against it from the text: ‘The cat was on the mat.’ Some Victorian scribe, we must suppose, once wrote: ‘Stretching herself with feline grace and emitting those sounds immemorially connected with satisfaction, Grimalkin lay on a rug whose richly variegated pattern spoke eloquently of the Orient and all the wonders of the Arabian Nights.’ And an exasperated reader annotated the margin with the shorter version of the absorbing event. How the late Georgian scribe will express the occurrence we do not yet know. Thus, perhaps: ‘What there is of cat is cat is what of cat there lying cat is what on what of mat laying cat.’ The reader will probably the margin with ‘Some cat!”

“Politics are popularly supposed to govern the direction, and statesmen to be the guardian angels, of Civilization. It seems to me that they have little or no power over its growth. They are of it, and move with it. Their concern is rather with the body than with the mind or soul of a nation. One needs not to be an engineer to know that to pull a man up a wall one must be higher than he; that to raise general taste one must have better taste than that of those whose taste he is raising.”

“Beauty means this to one person, perhaps, and that to another. And yet when any one of us has seen or heard or read that which to him is beautiful, he has known an emotion which is in every case the same in kind, if not in degree; an emotion precious and uplifting. A choirboy's voice, a ship in sail, an opening flower, a town at night, the song of the blackbird, a lovely poem, leaf shadows, a child's grace, the starry skies, a cathedral, apple trees in spring, a thorough-bred horse, sheep-bells on a hill, a rippling stream, a butterfly, the crescent moon -- the thousand sights or sounds or words that evoke in us the thought of beauty -- these are the drops of rain that keep the human spirit from death by drought. They are a stealing and a silent refreshment that we perhaps do not think about but which goes on all the time....It would surprise any of us if we realized how much store we unconsciously set by beauty, and how little savour there would be left in life if it were withdrawn. It is the smile on the earth's face, open to all, and needs but the eyes to see, the mood to understand.”

“One's eyes are what one is, one's mouth is what one becomes.”