“Yes! Clumly had thought. There it was. Whatever it meant, spiritualistic trash for old ladies or the roaring secret of life and death, for a minute there Clumly had believed he wanted to know.”

“I waited for him to find an answer. Minutes passed. It came to me that he had quit. He had glimpsed a glorious ideal, had struggled toward it and seized it and come to understand it, and was disappointed. One could sympathize.”

“He had glimpsed a glorious ideal, had struggled toward it and seized it and come to understand it, and was disappointed. One could sympathize.”

“He was saner than anyone --had fallen out of the world of illusion: love, interesting work, hope for the future.”

“I know what's in your mind. I know everything. That's what makes me so sick and old and tired.”

“He could never forgive her for "cheating" on his father. His words, not hers. A child's word. "Selfish bitch," he'd called her once, he who knew nothing of selfishness or bitchery, no more than he knew of selflessness or whatever the opposite of bitchery was (sophrosyne?), knew only his own colossal ego, too self-centered even to understand why he couldn't simply dismiss her as evil and forget it. Sweet Christ how she hated him! But no. No more than she hated his father. It was past that. Caught in impossibilities, but knowing, at least, why she hated the part of herself she hated and why she could not escape, ever, for all the grinning cow-catchers and whistling boats and twinkling propellers in Christendom. Ah, Christendom! she thought.”

“Don’t be fooled by clever hands, sir” the Sunlight Man said. He’d be lying with the back of his head on his hands, as he always lay. “Entertainment’s all very well, but the world is serious. It’s exceedingly amusing, when you think about it: nothing in life is as startling or shocking or mysterious as a good magician’s trick. That’s what makes stagecraft deadly. Listen closely, friend. You see great marvels performed on the stage - the lady sawed in half, the fat man supported by empty air, the Hindu vanishing with the folding of a cloth - and the subtlest of poisons drifts into your brain: you think the earth dead because the sky is full of spirits, you think the hall drab because the stage is adazzle with dimestore gilt. So King Lear rages, and the audience grows meek, and tomorrow, in the gray of old groceries, the housewife will weep for Cordelia and despair for herself. They weren’t fools, those old sages who called all art the Devil’s work. It eats the soul.”