“...I lost my illusions in a black rain of bitterness - now what do you see in my eyes? How can you still love me? How can I be tender? ...”

“Kiss me again, but don't let me see your eyes! I forgive what you have done to me. I love my murderer--but yours! How can I?”

“You wouldn't understand my works. You wouldn't have the faintest idea of what they were about. You wouldn't appreciate the points of reference. You're way behind. All of you. There's no point in sending you my works. You'd be lost. It's nothing to do with a question of intelligence. It's a way of being able to look at the world. It's a question of how far you can operate on things and not in things. I mean it's a question of your capacity to ally the two, to relate the two, to balance the two. To see, to be able to see! I'm the one who can see. That's why I can write my critical works. Might do you good...have a look at them...see how certain people can view...things...how certain people can maintain...intellectual equilibrium. Intellectual equilibrium. You're just objects. You just...move about. I can observe it. I can see what you do. It's the same as I do. But you're lost in it. You won't get me being...I won't be lost in it.”

“You think I am afraid to love you, ma fee? Look at me, my only love, and see how you hold my heart in your hands, see how much I love you when you look into my eyes.”

“I feel like everyone who sees me knows what I am. As if it is written on my forehead in bold black ink. Perhaps it is written on my soul, now, and they can see it in my eyes, those windows to my soul.”

“It is hard to forgive, and to look at those eyes, and feel those wasted hands,' he answered. 'Kiss me again; and don’t let me see your eyes! I forgive what you have done to me. I love my murderer—but yours! How can I?”