“Tragedy is born of myth, not morality. Prometheus and Icarus are tragic heroes. Yet none of the myths in which they appear has anything to do with moral dilemmas. Nor have the greatest Greek tragedies. If Euripides is the most tragic of the Greek playwrights, it is not because he deals with moral conflicts but because he understood that reason cannot be the guide of life.”

“Global laissez-faire is not a conspiracy of corporate America. It is a tragedy - one of several that have occurred in the twentieth century - in which an hubristic ideology runs aground on enduring human needs that it has failed to comprehend.”

“The tragedy of preparedness has scarcely been handled, save by the Greeks. Life is indeed dangerous, but not in the way morality would have us believe. It is indeed unmanageable, but the essence of it is not a battle. It is unmanageable because it is a romance, and its essence is romantic beauty.”

“The good life is not found in dreams of progress,but in coping with tragic contingencies.We have been reared on religions and philosophies that deny the experience of tragedy.Can we imagine a life that is not founded on the consolations of action?Or are we too lax and coarse even to dream of living without them?”

“Sparks recently went on record as saying he is a greater novelist than Cormac McCarthy. This is true in the same sense that I am a better novelist than William Shakespeare. Sparks also said his novels are like Greek Tragedies. This may actually be true. I can't check it out because, tragically, no really bad Greek tragedies have survived.”

“This is our dilemma--either to taste and not to know or to know and not to taste--or, more strictly, to lack one kind of knowledge because we are in an experience or to lack another kind because we are outside it. [. . .] Of this tragic dilemma myth is the partial solution. In the enjoyment of a great myth we come nearest to experiencing as a concrete what can otherwise be understood only as an abstraction.”

“This catch-22 happens a lot to men. A man can sense that a woman wants to know if he loves her. He doesn't want to share those feelings because, if he does, she will expect him to marry her and be greatly hurt if he doesn't. In romantic movies, loving someone meant that you wanted to marry her. In real life, it is not always the case.”