“He knew he couldn't tell stories, that he always included extraneous details & tangents that interested only him.”

“He was always being told that writers never become famous or rich, but of course that was not why he wrote, he wrote simply because he felt he had interesting stories to tell that people might like to hear.”

“When he was dry, he believed it was alcohol he needed, but when he had a few drinks in him, he knew it was something else, possibly a woman; and when he had it all -- cash, booze, and a wife -- he couldn't be distracted from the great emptiness that was always falling through him and never hit the ground.”

“She told him of ship voyages she had taken to places he had never heard of, and stories he knew were all untrue, were bad not-truths, even, but he nodded, and tried to convince himself to be convinced, tried to believe her, because he knew that the origin of the story is always an absence and he wanted to live among presences.”

“There was a man here, lashed himself to a spar as his ship went down, and for seven days and seven nights he was on the sea, and what kept him alive while others drowned was telling himself stories like a madman, so that as one ended another began. On the seventh day he had told all the stories he knew and that was when he began to tell himself as if he were a story, from the earliest beginnings to his green and deep misfortune. The story he told was of a man lost and found, not once, but many times, as he choked his way out of the waves. And the night fell, he saw the Cape Wrath light, only lit a week it was, but it was, and he knew that if he became the story of the light, he might be saved. With his last strength he began to paddle towards it, arms on either side of the spar, and in his mind the light became a shining rope, pulling him in. He took hold of it, tied it round his waist, and at that moment, the keeper saw him, and ran for the rescue boat.”

“He knew the road would getmore interesting, especially ahead, always ahead.”