“In our hyper-secular world, worship is still inevitable. But it is vital to remember that our gods don't choose us, we choose them.”

John Green

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“So, I guess we are who we are for a lot of reasons. And maybe we'll never know most of them. But even if we don't have the power to choose where we come from, we can still choose where we go from there. We can still do things. And we can try to feel okay about them.”


“I know it doesn't feel this way all the time, but we get to choose what we care about and what we spend our resources on. We choose what - or ideally whom - to lust after. We choose what to watch, what to like, what to build, how to spend the breaths that we've been alive. And the fact that many of our choices are unconscious - get that handbag, get that Starbucks, look at that Snooki - does not in any way make us less responsible for those choices. I'm happiest when I feel like I'm part of a community that helps me choose more intelligently and with greater empathy. And I, for one, like the choices we made this weekend.”


“But there are a thousand ways to look at it: maybe the strings break, or maybe our ship s sink, or maybe we're grass--our roots so interdependent that no one is dead as long as someone is still alive. We don't suffer from a shortage of metaphors, is what I mean. But you have to be careful which metaphor you choose, because it matters.”


“Each of us starts out as a watertight vessel. And these things happen—these people leave us, or don't love us, or don't get us, or we don't get them, and we lose and fail and hurt one another. And the vessel starts to crack open in places . . . Once the vessel cracks open, the end becomes inevitable . . . But there is all this time between when the cracks start to open up and when we finally fall apart. And it is only in that time that we can see one another, because we see out of ourselves through our cracks and into others through theirs.”


“I always thought of it like you said, that all the strings inside him broke. But there are a thousand ways to look at it: maybe the strings break, or maybe our ships sink, or maybe we’re grass—our roots so interdependent that no one is dead as long as someone is alive. We don’t suffer from a shortage of metaphors, is what I mean. But you have to be careful which metaphor you choose, because it matters. If you choose the strings, then you’re imagining a world in which you can become irreparably broken. If you choose the grass, you’re saying that we are all infinitely interconnected, that we can use these root systems not only to understand one another but to become one another. The metaphors have implications. Do you know what I mean?”


“There will come a time when all of us are dead. All of us. There will come a time when there are no human beings remaining to remember that anyone ever existed or that our species ever did anything. There will be no one left to remember Aristotle or Cleopatra, let alone you. Everything that we did and built and wrote and thought and discovered will be forgotten and all of this will have been for naught. Maybe that time is coming soon and maybe it is millions of years away, but even if we survive the collapse of our sun, we will not survive forever. There was time before organisms experienced consciousness, and there will be time after. And if the inevitability of human oblivion worries you, I encourage you to ignore it. God knows that’s what everyone else does.”