“Keys show up when you reconcile yourself to the bus...”

“It always happened like this: he would look and look for the keys to Satan’s Hearse and then finally he’d just give up and say, “Fine. I’ll take the fugging bus,” and on his way out the door, he’d see the keys. Keys show up when you reconcile yourself to the bus; Katherines appear when you start to disbelieve the world contains another Katherine; and, sure enough, the Eureka moment arrived just as he began to accept it would never come.”

“You're funny, and you're smart, and you may show up late, but you always show up eventually.”

“I just want to fly under the radar, because when you start to make yourself into a big deal, that's when you get shot down.”

“How do you just stop being terrified of getting left behind and ending up by yourself forever and not meaning anything to the world?”

“The idea of "the authentic self," and how everyone is always talking about "being yourself," and how when you're yourself you get friends or you get boyfriends, and until you're yourself you don't. It's a crazy idea, because who's self would you otherwise be being? That relationship between constructed identities and identities that feel authentic to you is really fascinating to me. I think about it a lot.”

“You know your problem, Quentin? You keep expecting people not to be themselves. I mean, I could hate you for being massively unpunctual and for never being interested in anything other than Margo Roth Spiegelman, and for, like, never asking me about how it's going with my girlfriend - but I don't give a shit, man, because you're you. My parents have a shit ton of black Santas, but that's okay. They're them. I'm too obsessed with a reference website to answer my phone sometimes when my friends call, or my girlfriend. That's okay, too. That's me. You like me anyway. And I like you. You're funny, and you're smart, and you may show up late, but you always show up eventually.”