“He shook his head, just looking at me. - "What?" I asked.- "Nothing" he said.- "Why are you looking at me like that?"Augustus half smiled. "Because you`re beautiful. I enjoy looking at beautiful people, and I decided a while ago not to deny myself the simpler pleasures of existence." A brief awkward silence ensued. Augustus plowed through: "I mean, particularly given that, as you so deliciously pointed out, all of this will end in oblivion and everything."I kind of scoffed or sighed or exhaled in a way that was vaguely coughy and then said, "I`m not beau-"- "You are like a millennial Natalie Portman. Like V for Vendetta Natalie Portman."- "Never seen it."- "Really?" he asked. "Pixie-haired gorgeous girl dislikes authority and can`t help but fall for a boy she knows is trouble. It`s your autobiography, so far as I can tell."His every syllable flirted. Honestly, he kind of turned me on. I didn`t even know that guys could turn me on - not, like, in real life.”

“He shook his head, just looking at me."What?" I asked."Nothing," he said."Why are you looking at me like that?"Augustus half smiled. "Because you're beautiful. I enjoy looking at beautiful people, and I decided a while ago not to deny myself the simpler pleasures of existence.”

“Augustus half smiled. "Because you're beautiful, I enjoy looking at beaufitul people, and I decided a while ago not to deny myself the simpler pleasures of existence. . . . I mean, particularly given that, as you so deliciously pointed out, all of this will end in oblivion and everything.”

“His every syllable flirted. Honestly, he kind of turned me on. I didn't even know that guys could turn me on-not, like, in real life”

“Because you are beautiful. I enjoy looking at beautiful people, and I decided a while ago not to deny myself the simpler pleasures of existence”

“Van Houten was still staring at the ceiling beams. He took a drink. The glass was almost empty again. 'Lidewij, I can't do it. I can't. I can't.' He leveled his gaze to me. 'Nothing happens to the Dutch Tulip Man. He isn't a con man or not a con man; he's God. He's an obvious and unambiguous metaphorical representation of God, and asking what becomes of him if the intellectual equivalent of asking what becomes of the disembodied eyes of Dr. T.J. Eckleburg in Gatsby. Do he and Anna's man get married? We are speaking of a novel, dear child, not some historical enterprise.”

“Can I ask you about Caroline Mathers?""And you say there's no afterlife.”