“The nature of the labyrinth, I scribbled into my spiral notebook, and the way out of it. This teacher rocked. I hated discussion classes. I hated talking, and I hated listening to everyone else stumble on their words and try to phrase things in the vaguest possible way so they wouldn't sound dumb, and I hated how it was all just a game of trying to figure out what the teacher wanted to hear and then saying it. I'm in class, so teach me.”
In this quote from John Green's novel "Looking for Alaska," the protagonist expresses his frustration with the traditional format of classroom discussions. The character is analytical and seeks a straightforward approach to learning rather than the typical dance of trying to guess what the teacher wants to hear. This frustration highlights the protagonist's desire for genuine learning experiences and distaste for the performative aspects of classroom discussions.
In this quote from author John Green, the frustration with traditional education methods is highlighted through the lens of a discussion class. The pressure to conform to expectations, instead of focusing on genuine learning, is a sentiment that many students can resonate with in today's educational landscape. Let's explore how this idea of feeling stifled in a classroom setting is still relevant in the modern world.
In this quote from John Green's novel, the protagonist expresses their frustration with discussion classes and the expectations placed on students to say what the teacher wants to hear. The passage highlights the narrator's disdain for the superficiality of classroom interactions.
John Green's quote reflects his frustration with traditional discussion classes and the dynamics that come with them. As we think about this quote, here are some reflection questions to consider:
“I hated talking, and I hated listening to everyone else stumble on their words and try to phrase things in the vaguest possible way so they wouldn’t sound dumb.”
“What is the nature of being a person? What is the best way to go about being a person? How did we come to be and what will become of us when we are no longer? In short: what are the rules of this game and how might we best play it?"The nature of the labyrinth, I scribbled into my spiral notebook, and the way out of it.”
“I hate the way you talk to meAnd the way you cut your hairI hate the way you drive my carI hate it when you stareI hate your big dumb combat bootsAnd the way you read my mindI hate you so much, that it makes me sickAnd even makes me rhymeI hate the way you're always rightI hate it when you lieI hate it when you make me laughEven worse when you make me cryI hate it when you not aroundAnd the fact that you didn't callBut mostly I hate the way I don't hate youNot even closeNot even a little bitNot even at all”
“I hate it here. I hate the way everyone looks at you. I hate the way everyone looks.”
“Maholtz asked me, “Why do you hate me?”I said, Everyone hates you.“I know,” he said. “I know that,” he said, “but they hate me cause I scared them or had what they wanted. You weren’t ever scarend of me. You never wanted what I had. Except for the sap. And then you took it, and now I don’t have it, so why do you hate me?”Maybe it’s your accent.“I’m from Pinttsburgh,” he said.Maybe you shouldn’t be.“I can’t help where I’m from.”We turned at Main Hall. Feld was talking to Forrest Kenilworth and Cody. The chair sat dripping in front of the door.So maybe it’s your face. The way you look at girls like you’re scheming to corner them.“I was borng this way, though. I can’t help how my face loonks.”So maybe it’s all the banced thing that you say.“They just come out of me. I’m hated, I feel it. I say those things without thinking, from hurnt. I can’t help that either. It’s not my faulnt.”I guess, then, I hate you for being so helpless.”