“This mannerism of what he'd seen of society struck Homer Wells quite forcefully; people, even nice people—because, surely, Wally was nice—would say a host of critical things about someone to whom they would then be perfectly pleasant. At. St. Cloud's, criticism was plainer—and harder, if not impossible, to conceal.”

John Irving

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“When he and Wally stopped laughing, Homer said, ‘I’ve never seen the ocean, you know.’‘Candy, did you hear that?’ Wally asked, but Candy had released herself with her brief laughter and she was sound asleep. ‘You’ve never seen the ocean?’ Wally asked Homer.‘That’s right,’ said Homer Wells.‘That’s not funny,’ said Wally seriously.‘Right,’ Homer said.A little later, Wally said, ‘You want to drive for a while?’‘I don’t know how to drive,’ Homer said.‘Really?’ Wally asked. And later still – it was almost midnight – Wally asked, ‘Uh, have you ever been with a girl – made love to one, you know?’ But Homer Wells had also felt released: he had laughed out loud with his new friends. The young but veteran insomniac had fallen asleep. Would Wally have been surprised to know that Homer hadn’t laughed out loud with friends before, either?”


“For Homer Wells, it was different. He did not imagine leaving St. Cloud's. The Princes of Maine that Homer saw, the Kings of New England that he imagined — they reigned at the court of St. Cloud's, they traveled nowhere; they didn't get to go to sea; they never even saw the ocean. But somehow, even to Homer Wells, Dr. Larch's benediction was uplifting, full of hope. These Princes of Maine, these Kings of New England, these orphans of St. Cloud's — whoever they were, they were the heroes of their own lives. That much Homer could see in the darkness; that much Dr. Larch, like a father, gave him.”


“And the thing about love," Wally said to Angel, "is that you can’t force anyone. It’s natural to want someone you love to do what you want, or what you think would be good for them, but you have to let everything happen to them. You can’t interfere with people you love any more than you’re supposed interfere with people you don’t even know. And that’s hard,” he added, “because you often feel like interfering - you want to be the one who makes the plans.“It’s hard to want to protect someone else, and not be able to,” Angel pointed out.“You can’t protect people, kiddo,” Wally said. “All you can do is love them.”


“In Wally’s bedroom Homer marveled at how the world was simultaneously being invented and destroyed.Nothing marvelous about that, Dr. Larch would have assured him. At St. Cloud’s, except for the irritation about sugar stamps and other aspects of the rationing, very little was changed by the war. (Or by what people once singled out as the Depression, thought Wilbur Larch.)We are an orphanage; we provide these services; we stay the same – if we’re allowed to stay the same, he thought. When he would almost despair, when the ether was too overpowering, when his own age seemed like the last obstacle and the vulnerability of his illegal enterprise was as apparent to him as the silhouettes of the fir trees against the sharp night skies of autumn, Wilbur Larch would save himself with this one thought: I love Homer Wells, and I have saved him from the war.”


“When the valley surrounding St. Cloud's was cleared and the second growth (scrub pine and random, unmanaged softwoods) sprang up everywhere, like swamp weed, and when there were no more logs to send downriver, from Three Mile Falls to St. Cloud's--because there were no more trees--that was when the Ramses Paper Company introduced Maine to the twentieth century by closing down the saw mill and the lumberyard along the river at St. Cloud's and moving camp downstream. . .There were no Ramses Paper Company people left behind, but there were people. . .Not one of the neglected officers of the Catholic Church of St. Cloud's stayed; there were more souls to save by following the Ramses Paper Company downstream.”


“Homer Wells, listening to Big Dot Taft, felt like her voice – dulled. Wally was away, Candy was away, and the anatomy of a rabbit was, after Clara, no challenge; the migrants, whom he’d so eagerly anticipated, were just plain hard workers; life was just a job. He had grown up without noticing when? Was there nothing remarkable in the transition?”