“Wilbur Larch knew that freedom was an orphan’s most dangerous illusion, and when he finally heard from Homer, he scanned the oddly formal letter, which was disappointing in its lack of detail. Regarding illusions, and all the rest, there was simply no evidence.‘I am learning to swim,’ wrote Homer Wells. (I know! I know! Tell me about it! Thought Wilbur Larch.) ‘I do better at driving,’ Homer added.”

“You are my work of art," Wilbur Larch told Homer Wells. "Everything else has just been a job. I don't know if you've got a work of art in you," Larch concluded in his letter to Homer, "but I know what your job is,and you know what it is, too.”

“When Homer Wells saw the stationmaster’s brain stem exposed, he felt that Dr. Larch was busy enough – with both hands – for it to be safe to say what Homer wanted to say.‘I love you,’ said Homer Wells. He knew he had to leave the room, then – while he could still see the door – and so he started to leave.‘I love you too, Homer,’ said Wilbur Larch, who for another minute or more could not have seen a blood clot in the brain stem if there had been one to see. He heard Homer say ‘Right’ before he heard the door close.In a while, he could make out the brain stem clearly, there was no clot.‘Arrhythmia,’ Wilbur Larch repeated to himself. Then he added, ‘Right,’ as if he were now speaking for Homer Wells. Dr. Larch put his instruments aside; he gripped the operating table for a long time.”

“The situation Larch was thinking of was war, the so-called war in Europe; Larch, and many others, feared that the war wouldn’t stay there. (‘I’m sorry, Homer,’ Larch imagined having to tell the boy. ‘I don’t want you to worry, but you have a bad heart; it just wouldn’t stand up to a war.’) What Larch meant was that his own heart would never stand up to Homer Wells’s going to war.The love of Wilbur Larch for Homer Wells extended even to his tampering with history, a field wherein he was an admitted amateur, but it was nonetheless a field that he respected and also loved. (In an earlier entry in the file on Homer Wells – an entry that Dr. Larch removed, for it lent an incorrect tone of voice, or at least a tone of voice unusual for history – Dr. Larch had written: ‘I love nothing or no one as much as I love Homer Wells. Period.”

“In Wally’s bedroom Homer marveled at how the world was simultaneously being invented and destroyed.Nothing marvelous about that, Dr. Larch would have assured him. At St. Cloud’s, except for the irritation about sugar stamps and other aspects of the rationing, very little was changed by the war. (Or by what people once singled out as the Depression, thought Wilbur Larch.)We are an orphanage; we provide these services; we stay the same – if we’re allowed to stay the same, he thought. When he would almost despair, when the ether was too overpowering, when his own age seemed like the last obstacle and the vulnerability of his illegal enterprise was as apparent to him as the silhouettes of the fir trees against the sharp night skies of autumn, Wilbur Larch would save himself with this one thought: I love Homer Wells, and I have saved him from the war.”

“Wallace Worthington would have reminded Wilbur Larch of someone he might have met at the Channing-Peabodys’, where Dr. Larch went to perform his second abortion – the rich people’s abortion, as Larch thought of it. Wallace Worthington would strike Homer Wells as what a real King of New England should look like.”