“Arabella was good at making life seem easy, except when she suddenly and dramatically wasn't.”

“The idea of luxury, even the word "luxury," was important to Arabella. Luxury meant something that was by definition overpriced, but was so nice, so lovely, in itself that you did not mind, in fact was so lovely that the expensiveness became part of the point, part of the distinction between the people who could not afford a thing and the select few who not only could, but also understood the desirability of paying so much for it. Arabella knew that there were thoughtlessly rich people who could afford everything; she didn't see herself as one of them but instead as one of an elite who both knew what money meant and could afford the things they wanted; and the knowledge of what money meant gave the drama of high prices a special piquancy. She loved expensive things because she knew what their expensiveness meant. She had a complete understanding of the signifiers.”

“On the opposite wall was a Damien Hirst spot painting, bought by Arabella after a decent bonus season. Roger's considered view of the painting, looking at it from aesthetic, art-historical, interior-design, and psychological points of view, was that it had cost forty-seven thousand pounds, plus VAT.”

“It gave her a sudden sense that it was now her turn to grow old, to find the world changing, sliding away from the old ways of being and behaving, so that you were gradually a stranger to the place you lived in. The woman priest with jogging clothes and a BlackBerry gave Mary a glimpse of what life must have been like for her mother as she grew older.”

“Petunia only ever went to the doctor reluctantly, and her motive in doing so was always the same: she did it in order to feel less anxious about things. The doctor was supposed to make the worry go away; she did quite enough worrying without actually having something to worry about. When she came out feeling no less anxious, as this time, something had gone wrong. The basic contract had been broken.”

“Roger was not personally ambitious; he mainly wanted life not to make too many demands on him.”

“It seemed too as if many of the people were on display, behaving as if they expected to be looked at, as if they were on show: so many of them seemed to be wearing costumes, not just policemen and firemen and waiters and shop assistants, but people in their going-to-work costumes, their I'm-a-mother-pushing-a-pram costumes, babies and children in outfits that were like costumes; workers digging holes in their costume-bright orange vests; joggers in jogging costume; even the drinkers in the streets and parks, even the beggars, seemed to be wearing costumes, uniforms.”