“Anyway, I should have known better about the roses. Whatever Mum planted grew eventually. Take me for instance.”

“That night in bed I was thinking about the way creeks and streams operate. They start off little, gurgling and bubbling and jumping over rocks and stuff, full of energy, going all over the place. Then they get older and bigger, become rivers, take a more definite course, stick to their path, know where they're going, get slower and wider. And eventually they reach the ocean and become part of this vast mysterious world of water that stretches away forever.Yep, just like people.”

“You can never stay angry too long in the bush though. At least, that's what I think. It's not that it's soothing or restful, because it's not. What it does for me is get inside my body, inside my blood, and take me over. I don't know that I can describe it any better than that. It takes me over and I become part of it and it becomes part of me and I'm not very important, or at least no more important than a tree or a rock or a spider abseiling down a long thread of cobweb. As I wandered around, on that hot afternoon, I didn't notice anything too amazing or beautiful or mindbogglingly spectacular. I can't actually remember noticing anything out of the ordinary: just the grey-green rocks and the olive-green leaves and the reddish soil with its teeming ants. The tattered ribbons of paperbark, the crackly dry cicada shell, the smooth furrow left in the dust by a passing snake. That's all there ever is really, most of the time. No rainforest with tropical butterflies, no palm trees or Californian redwoods, no leopards or iguanas or panda bears.Just the bush.”

“‎"And suddenly they came out of the woodwork. I don't actually know what that expression means. What come out of the wood work? Cockroaches maybe. Mice? Are these rhetorical questions, like I just learned about on one of my rare visits to school? Was that a rhetorical question? Is it a paradox when you ask rhetorically if a rhetorical question is a rhetorical question? I think I'd better stop before I get a headache.”

“It's funny about a face, how big a difference it makes. I mean, one day you look in th mirror and you think, yeah, that's me, that's my face. And then another day...you think, that's not me, that's not my face. So am I my face? I mean is that all I am?”

“There’s life in his face again. It occurs to me that this is the best thing I could have done, it’s actually a great way to leave, because it’s giving Gavin the message that we haven’t been defeated, we are up for it, we’re young, we’re in control of our lives again, we can charge into the future with confidence. When we round the corner of the driveway I take his hand and we run down to the gate together.”

“My pen.’ Funny, I wrote that without noticing. ‘The torch’, ‘the paper’, but ‘my pen’. That shows what writing means to me, I guess. My pen is a pipe from my heart to the paper. It’s about the most important thing I own.”