“This soirée was followed by a longer and more serious session in Pommeroy's, which had ended once again, I regret to say, with Henry and me recalling the great hits of Dame Vera Lynn. So now I turned my face to the wall, closed my eyes and knew what it was like to stand on the edge of eternity.”

“Smoke is not chasing me and making my eyes sweat. My eyes are not burning. I am not crying. I am not standing behind my mother and she is not facing the wall and she is not saying, 'Smoke follows beauty.' Smoke follows beauty. Smoke follows beauty. Smoke follows beauty.”

“Yo, guys," Ty says, peering down into the stroller. "What the hell is that thing? Satan's spawn?""You'd better watch it!" Henry says. He puts on a serious face, throws an arm around my shoulders, and pulls me in close. "That's our child you'retalking about."Ty smiles, then looks at Jerry Rice. "Its eyes are seriously creeping me out. And I knew something was going on between you two.""You're right," Henry says. "Woods is my husband, and I'm her wife.”

“So as not to see anything any more, I turned towards the wall, but alas, what was now facing me was that partition which used to serve us as a morning messenger, that partition which, as responsive as a violin in rendering every nuance of a feeling, reported so exactly to my grandmother my fear at once of waking her and, if she were already awake, of not being heard by her and so of her not coming, then immediately, like a second instrument taking up the melody, informing me of her coming and bidding me be calm. I dared not put out my hand to that wall, any more than to a piano on which my grandmother had been playing and which still vibrated from her touch. I knew that I might knock now, even louder, that nothing would wake her any more, that I should hear no response, that my grandmother would never come again. And I asked nothing more of God, if a paradise exists, than to be able, there, to knock on that wall with the three little raps which my grandmother would recognize among a thousand, and to which she would give those answering knocks which meant: "Don't fuss, little mouse, I know you're impatient, but I'm coming," and that he would let me stay with her throughout eternity, which would not be too long for the two of us.”

“Yes,” I told him. “I think the guy playing the Pirate King was awesome.”He stopped where he was.“What?” I asked, frowning at the big smile on his face.“I didn’t say I liked the Pirate King,” he told me.“Oh.” I closed my eyes—and there he was. A warm, edgy presence right on the edge of my perception. When I opened my eyes, he was standing right in front of me. “Cool,” I told him. “You’re back.”He kissed me leisurely. When he was finished, I was more than ready to head home. Fast.“You make me laugh,” he told me seriously.”

“Lena.” Alex’s voice is stronger, more forceful now, and it finally stops me.He turns so that we’re face-to-face. At that moment my shoes skim off the sandbottom, and I realize that the water is lapping up to my neck. The tide is comingin fast. “Listen to me. I’m not who—I’m not who you think I am.”I have to fight to stand. All of a sudden the currents tug and pull at me. It’salways seemed this way. The tide goes out a slow drain, comes back in a rush.“What do you mean?”His eyes—shifting gold, amber, an animal’s eyes—search my face, andwithout knowing why, I’m scared again. “I was never cured,” he says. For amoment I close my eyes and imagine I’ve misheard him, imagine I’ve onlyconfused the shushing of the waves for his voice. But when I open my eyes he’sstill standing there, staring at me, looking guilty and something else—sad,maybe?—and I know I heard correctly. He says, “I never had the procedure.”“You mean it didn’t work?” I say. My body is tingling, going numb, and Irealize then how cold it is. “You had the procedure and it didn’t work? Like whathappened to my mom?”“No, Lena. I—” He looks away, squinting, says under his breath, “I don’tknow how to explain.”