“He who has truth at his heart need never fear the want of persuasion on his tongue.”

“Now observe; if the artist does not understand the sacredness of the truth of Impression, and supposes that, once quitting hold of his first thought, he may by Philosophy compose something prettier than he saw and mightier than he felt, it is all over with him. Every such attempt at composition will be utterly abortive, and end in something that is neither true nor fanciful; something geographically useless, and intellectually absurd.”

“Understand this clearly: you can teach a man to draw a straight line, and to carve it; and to copy and carve any number of given lines or forms, with admirable speed and perfect precision; and you find his work perfect of its kind: but if you ask him to think about any of those forms, to consider if he cannot find any better in his own head, he stops; his execution becomes hesitating; he thinks, and ten to one he thinks wrong; ten to one he makes a mistake in the first touch he gives to his work as a thinking being. But you have made a man of him for all that. He was only a machine before, an animated tool.”

“I have a dog of Blenheim birth,With fine long ears and full of mirth;And sometimes, running o'er the plain,He tumbles on his nose:But quickly jumping up again,Like lightning on he goes!”

“At least be sure you go to the author to find his meaning, not to find yours.”

“All great art is the expression of man's delight in God's work, not his own.”

“I believe that the first test of a great man is his humility. I don't mean by humility, doubt of his power. But really great men have a curious feeling that the greatness is not of them, but through them. And they see something divine in every other man and are endlessly, foolishly, incredibly merciful.”