“On'y way you gonna get me to go is whup me.' She moved the jack handle gently again. 'An' I'll shame you, Pa. I won't take no whuppin', cryin' an' a-beggin'. I'll light into you. An' you ain't so sure you can whup me anyways. An' if ya do get me, I swear to God I'll wait till you got your back turned, or you're settin' down, an' I'll knock you belly-up with a bucket. I swear to Holy Jesus' sake I will.”
In this excerpt from John Steinbeck's work, a character expresses their defiance towards receiving a punishment from their father. The rebellious and strong-willed nature of the character is evident in their bold words and threat of retaliation.
In this powerful quote from John Steinbeck's novel, the character asserts her refusal to be physically disciplined by her father. The defiance and independence displayed by the character challenge traditional gender roles and expectations. The threat to physically retaliate showcases a sense of empowerment and resistance against oppression. The use of strong language and vivid imagery conveys the character's determination to assert her own autonomy and resist any attempts to control her through violence. This quote highlights the character's strength and courage in the face of adversity.
In this quote from John Steinbeck's novel, a young character challenges her father's authority and refuses to be physically punished. This defiance and assertion of autonomy resonate with modern discussions on parental discipline, consent, and power dynamics within families. The character's courage to stand up for herself and express her boundaries serves as a powerful reminder of the importance of respecting children's voices and agency.
These reflection questions are aimed at exploring the dynamics of power and resistance in the quoted passage from John Steinbeck's work.
“Mind, I congratulate you. You jumped me to sex, translated it to aesthetics, and ended with sour grapes. How dishonest can I be? And all because I don't want to go to work. I'll work my head off to avoid work. Come, mind. This time you don't get away with it - back to the desk.”
“Ain't you thinkin' what's it gonna be like when we get there? Ain't you scared it won't be nice like we thought?No, she said quickly. No, I ain't. You can't do that. I can't do that. It's too much - livin' too many lives. Up ahead they's a thousan' lives we might live, but when it comes, it'll on'y be one.”
“The thing that give me the mos' trouble was, it didn't make no sense. You don't look for no sense when lightnin' kill a cow, or it comes up a lood. That's jus' the way things is. But when a bunch of men take an' lock you up four years, it ought to have some meaning. Men is supposed to think things out. Here they put me in an' keep me an' feed me four years. That ought to either make me so I won't do her again or else punish me so I'll be afraid to do her again”
“I'd rather be the half of us, the least of you, the best of me; and I will be - I'll be your prince, I'll be your saint, I will go crashing through fences in your name; I will, I swear - I'll be someone to fall back on. I'll be the one who waits, and for as long as you let me, I will be the one you need - I'll be someone to fall back on.”
“Dear Lord,' he said. 'let me be like Aron. Don’t make me mean. I don’t want to be. If you will let everybody like me, why, I’ll give you anything in the world, and if I haven’t got it, why, I’ll go for to get it. I don’t want to be mean. I don’t want to be lonely. For Jesus’ sake, Amen.”
“Crooks stood up from his bunk and faced her. "I had enough," he said coldly. "You got no rights comin' in a colored man's room. You got no rights messing around in here at all. Now you jus' get out, an' get out quick. If you don't, I'm gonna ast the boss not to ever let you come in the barn no more."She turned on him in scorn. "Listen, Nigger," she said. "You know what I can do to you if you open your trap?"Crooks stared helplessly at her, and then he sat down on his bunk and drew into himself.She closed on him. "You know what I could do?"Crooks seemed to grow smaller, and he pressed himself against the wall. "Yes, ma'am.""Well, you keep your place then, Nigger. I could get you strung up on a tree so easy it ain't even funny."Crooks had reduced himself to nothing. There was no personality, no ego--nothing to arouse either like or dislike. He said, "Yes, ma'am," and his voice was toneless.For a moment she stood over him as though waiting for him to move so that she could whip at him again; but Crooks sat perfectly still, his eyes averted, everything that might be hurt drawn in. She turned at last to the other two.”