“...but with his mother there's no question of liking him they're not even in a way separate people he began in her stomach and if she gave him life she can take it away and if he feels that withdrawal it will be the grave itself.”

“…he is unlike the other customers. They sense it too, and look at him with hard eyes, eyes like little metal studs pinned into the white faces of young men [...] In the hush his entrance creates, the excessive courtesy the weary woman behind the counter shows him amplifies his strangeness. He orders coffee quietly and studies the rim of the cup to steady the sliding in his stomach. He had thought, he had read, that from shore to shore all America was the same. He wonders, Is it just these people I’m outside or is it all America?”

“Ken appeared, was taller than she, wanted her, was acceptable and accepted on all sides; similarly, nagging mathematical problems abruptly crack open. Foxy could find no fault with him, and this challenged her, touched off her stubborn defiant streak. She felt between his handsomeness and intelligence a contradiction that might develop into the convoluted humour of her Jew. Ken looked lika a rich boy and worked like a poor one. From Farmington, he was the only son of a Hartford laywer who never lost a case. Foxy came to imagine his birth as cool and painless, without a tear or outcry. Nothing puzzled him. There were unknowns, but no mysteries. (...) He was better-looking, better-thinking, a better machine.”

“One world: everybody fucks everybody. When he thinks of all the fucking there's been in the world and all the fucking there's going to be, and none of it for him, here he sits in this stuffy car dying, his heart just sinks. He'll never fuck anybody again in his lifetime except poor Janice Springer, he sees this possibility ahead of him straight and grim as the known road.”

“A woman once of some height, she is bent small, and the lingering strands of black look dirty in her white hair. She carries a cane, but in forgetfulness, perhaps, hangs it over her forearm and totters along with it dangling loose like an outlandish bracelet. Her method of gripping her gardener is this: he crooks his right arm, pointing his elbow toward her shoulder, and she shakily brings her left forearm up within his and bears down heavily on his wrist with her lumpish freckled fingers. Her hold is like that of a vine to a wall; one good pull will destroy it, but otherwise it will survive all weathers.”

“Nelson! Stop that this minute!" She turns rigid in the glider but does not rise to see what is making the boy cry. Eccles, sitting by the screen, can see. The Fosnacht boy stands by the swing, holding two red plastic trucks. Angstrom's son, some inches shorter, is batting with an open hand toward the bigger boy's chest, but does not quite dare to move forward a step and actually strike him...Nelson's face turns up toward the porch and he tries to explain, "Pilly have - Pilly -" But just trying to describe the injustice gives it unbearable force, and as if struck from behind he totters forward and slaps the thief's chest and receives a mild shove that makes him sit on the ground. He rolls on his stomach and spins in the grass, revolved by his own incoherent kicking. Eccles' heart seems to twist with the child's body; he knows so well the propulsive power of a wrong, the way the mind batters against it and each futile blow sucks the air emptier until it seems the whole frame of blood and bone must burst in a universe that can be such a vacuum.”

“...hate suits him better than forgiveness. Immersed in hate, he doesn't have to do anything; he can be paralyzed, and the rigidty of hatred makes a kind of shelter for him.”