“After Gary had given the enlargements their sour baths, he raised the lights and discovered that both prints were webbed over with peculiar yellow blotches. He cursed a little, not so much because he cared about the prints as because he wanted to preserve his good spirits, his serotonin-rich mood, and to do this he needed... cooperation from the world of objects.”

“He cursed a little, not so much because he cared about the photographs as because he wanted to preserve his good spirits, his serotonin-rich mood, and to do this he needed a modicum of cooperation from the world of objects.”

“Gary had hoped to find her more cooperative. He already had one "alternative" sibling and he didn't need another. It frustrated him that people could so happily drop out of the world of conventional expectations; it felt like a unilateral rewriting, to his disadvantage, of the rules of life.”

“Dylan [Thomas] I knew before and after he became famous. He was splendid, rapacious, demanding as a young man. To much has been written about him for me to add to the legend. As that legend began to grow in his lifetime I learned to separate him from his poetry, to find him in person increasingly tedious and his poems increasingly exciting, both in print and when he was reading them.”

“Well, you're free without wanting to be,' he explained, 'it just happens so, that's all. But Mathieu's freedom is based on reason.''I still don't understand,' said Lola, shaking her head.'Well, he doesn't care a curse about his apartment: he lives there just as he would live anywhere else, and I've got the feeling that he doesn't care much about his girl. He stays with her because he must sleep with someone. His freedom isn't visible, it's inside him.”

“[he] had learned how to force his mood, to keep himself in the middle ground, neither manic nor hopeless. He seemed a bit lighter in spirit, perhaps because he had less of it. He would find peace, even if it were some compromised brand.”