“Cooks were the mitochondria of humanity; they had their own separate DNA, they floated in a cell and powered it but were not really of it.”

“Birds were what became of dinosaurs. Those mountains of flesh whose petrified bones were on display at the Museum of Natural History had done some brilliant retooling over the ages and could now be found living in the form of orioles in the sycamores across the street. As solutions to the problem of earthly existence, the dinosaurs had been pretty great, but blue-headed vireos and yellow warblers and white-throated sparrows - feather-light, hollow-boned, full of song were even greater. Birds were like dinosaurs' better selves. They had short lives and long summers. We all should be so lucky as to leave behind such heirs.”

“Love is about bottomless empathy, born out of the heart’s revelation that another person is every bit as real as you are. And this is why love, as I understand it, is always specific. Trying to love all of humanity may be a worthy endeavor, but, in a funny way, it keeps the focus on the self, on the self’s own moral or spiritual well-being. Whereas, to love a specific person, and to identify with his or her struggles and joys as if they were your own, you have to surrender some of your self.”

“Birds were like dinosaurs' better selves. They had short lives and long summers. We all should be so lucky as to leave behind such heirs.”

“She wondered: How could people respond to these images if images didn't secretly enjoy the same status as real things? Not that images were so powerful, but that the world was so weak. It could be read, certainly, in its weakness, as on days when the sun baked fallen apples in orchards and the valley smelled like cider, and cold nights when Jordan had driven Chadds Ford for dinner and the tires of her Chevrolet had crunched on the gravel driveway; but the world was fungible only as images. Nothing got inside the head without becoming pictures.”

“There seemed to be almost nothing left of Lalitha; she was breaking up on him the way dead songbirds did in the wild-they were impossibly light to begin with, and as soon as their little hearts stopped beating they were barely more than bits of fluff and hollow bone, easily scatterd in the wind-but this only made him more determined to hold onto what little of her he still had.”

“depression was a successful adaptation to ceaseless pain and hardship [...] feeling bad all the time and expecting the worst had been natural ways of equilibrating themselves with the lousiness of their circumstances. Few things gratified depressives, after all, more than really bad news [...] Grim situations were Katz's niche the way murky water was a carp's [...] he might well have started making music again, had it not been for the accident of success. He flopped around on the ground, heavily carplike, his psychic gills straining futilely to extract dark sustenance from an atmosphere of approval and plenitude.”