“When the sex is persuasively rendered, it tends to read autobiographically, and there are limits to my desire for immersion in a stranger's biochemistry.”

“Reading enables me to maintain a sense of something substantive– my ethical integrity, my intellectual integrity.”

“Fiction is a particularly effective way for strangers to connect across time and distance”

“Wow, thank you so much for the compliment!" Patty answered brightly, to end things. At the time, she believed that it was because she was so selflessly team-spirited that direct personal compliments made her so uncomfortable. The autobiographer now thinks that compliments were like a beverage she was unconsciously smart enough to deny herself even one drop of, because her thirst for them was infinite.”

“This evening I begin a notebook. If anyone reads this, I trust they will forgive my overuse of "I". I can't stop it. I'm writing this.”

“An odd thing about beauty, however, is that it's absence tends not to arouse our sympathy as much as other forms of privation do.”

“My conception of a novel is that it ought to be a personal struggle, a direct and total engagement with the author's story of his or her own life. This conception, again, I take from Kafka, who, although he was never transformed into an insect, and although he never had a piece of food (an apple from his family's table!) lodged in his flesh and rotting there, devoted his whole life as a writer to describing his personal struggle with his family, with women, with moral law, with his Jewish heritage, with his Unconscious, with his sense of guilt, and with the modern world. Kafka's work, which grows out of the nighttime dreamworld in Kafka's brain, is *more* autobiographical than any realistic retelling of his daytime experiences at the office or with his family or with a prostitute could have been. What is fiction, after all, if not a kind of purposeful dreaming? The writer works to create a dream that is vivid and has meaning, so that the reader can then vividly dream it and experience meaning. And work like Kafka's, which seems to proceed directly from dream, is therefore an exceptionally pure form of autobiography. There's an important paradox here that I would like to stress: the greater the autobiographical content of a fiction writer's work, the *smaller* its superficial resemblance to the writer's actual life. The deeper the writer digs for meaning, the more the random particulars of the writer's life become *impediments* to deliberate dreaming.”