“Every inch of space was used. As the road narrowed, signs receded upwards and changed to the vertical. Businesses simply soared from ground level and hung out vaster, more fascinatingly illuminated shingles than competitors. We were still in a traffic tangle, but now the road curved. Shops crowded the pavements and became homelier. Vegetables, spices, grocery produce in boxes or hanging from shop lintels, meats adangle - as always, my ultimate ghastliness - and here and there among the crowds the alarming spectacle of an armed Sikh, shotgun aslant, casually sitting at a bank entrance. And markets everywhere. To the right, cramped streets sloped down to the harbor. To the left, as we meandered along the tramlines through sudden dense markets of hawkers' barrows, the streets turned abruptly into flights of steps careering upwards into a bluish mist of domestic smoke, clouds of washing on poles, and climbing. Hong Kong had the knack of building where others wouldn't dare.”

“The smells arose from everything, everywhere, flowing together and remaining as a sickening, tantalizing discomfort. They flowed from the delicatessen shop with its uncovered trays of pickled herrings, and the small open casks of pickled gherkins and onions, dried fish and salted meat, and sweaty damp walls and floor; from the fish shop which casually defied every law of health; from the kosher butcher, and the poulterer next door, where a fine confetti of new-plucked feathers hung nearly motionless in the fetid air; and from sidewalk gutters where multitudes of flies buzzed and feasted on the heaped-up residue of fruit and vegetable barrows.”

“I see my skeleton walking down the street now. I’m walking behind it. Our feet touch the ground at the same time. I am my own shadow. The road we’re walking along looks familiar. The trees lining the pavement have been bleached by the sun. There are stone steps on my left. I climb them. This is the route I used to take after school. It’s very dark. The skeleton has disappeared.”

“The Mologai. The sun shines less in the Mologai, but heat gathers there in the shade and smoke. Steep cramped dwellings, shops oldish. Oddly, smoke pervading the whole area. The streets cling to contours. You clamber up steps from one narrow alleyway to the next, among the stalls. It's an antique hunter's paradise - or rather purgatory, because the promise of heaven takes time to realize.”

“The shops in High Street still have their metal grilles down, blank-eyed and sleeping. My name is scrawled across them all. I'm outside Ajay's newsagent's. I'm on the expensive shutters of the health food store. I'm massive on Handie's furniture shop, King's Chicken Joint and the Barbecue Cafe. I thread the pavement outside the bank and all the way to Mothercare. I've possessed the road and am a glistening circle at the roundabout.”

“Ahead of them lay an expressway access road. Except that there were no guardrails or markings. No road signs either. And no other vehicles at all. Yet the road, following a narrow curve, led to a broad ribbon of asphalt tracing a straight line all the way to the horizon. Again, it had no lines painted on it and there were no signs. Rosa thought there would have been space for four traffic lanes on it, but it was covered with the dust and loose soil that had blown over it.No other sign of life. Just the two of them, the car, and a forgotten road to nowhere.“Where does it go?”“To the end of the world.”