“How often had that hydrant even been opened? Did you jet water through a car window, what, twice at best? Summer burned just a few afternoons long, in the end.As for flying, Dose never even glanced at the sky. Flying was a summer within a summer, a whim. So why think of it at all?”
“The earth itself was unchangeable, the endless tracts of sand and water and pavement. It was the people, the perturbable madmen who roamed its surface, who viewed the world as transient and broken. Everett wished the earth could somehow reach up and still them, the crazy people, and invest them with its silence and permanence and depth.”
“Paranoia has its downsides as an agency in daily life, or in the political sphere of collective action, which finds itself beset everywhere by the nightmarish influence of conspiracy thinking (they call it theory, but theories exist to be tested, and conspiracy thinking exists never to be tested, and globally ignores the results of tests imposed by others). The suspicion that malign operators are responsible for every one of the injustices and heartbreaks of existence is a consoling view, a balm to bleak glimpses of the void behind our reality. It's brave to pursue truth, and brave to pursue and expose tricky and well-hidden bad guys (Nazi doctors, Pentagon intelligence-distorters, etc.). It's not brave to think tricky, well-hidden bad guys are the whole truth of what's out there. It might even be bravery's opposite. Or maybe it should go under the name "religion.”
“Everyone's body betrayed them in different ways, it was all forgiven and never discussed.”
“You could grow up in the city where history was made and still miss it all.”
“Just handling this ocean of different books—new and used, in and out of print, famous and forgotten—it was literature as this giant mosaic of texts and experiments and attitudes. I think it’s just very liberating to break out of a great man’s theory of history. I guess I’ve always liked working from that sense of—what would you call it?—license that the margins permit. I always just visualize myself writing books that were meant one day to be dusty, forgotten volumes being encountered by intrepid browsers in a used bookstore. It was a much less freighted way to think about trying to enter the conversation than to imagine I had to write The Great Gatsby.”