“Despite their authoritarian light show, those ice-cream trucks of death couldn't do any more for Perkus's murdered infatuation, his crushed crush, than could keening Greek chorus, or a moaning witch doctor.”

“Today the tower's flock, the usual birds, flew in a kind of scatter pattern, their paths intricately chaotic, the bunch parting and interweaving like boiling pasta under a pot's lifted lid. It appeared someone had given the birds new instructions, had whispered that there was something to avoid, or someone to fool. I once heard Perkus Tooth say that he'd woken that morning having dreamed an enigmatic sentence: "Paranoia is a flower in the brain." Perkus offered this, then smirked and bugged his eyes--the ordinary eye, and the other. I played at amazement (I was amazed, anyway, at the fact that Perkus dreamed sentences to begin with). Yet I hadn't understood what the words meant to him until now, when I knew for a crucial instant that the birds had been directed to deceive me. That was when I saw the brain's flower. Perkus had, I think, been trying to prepare me for how beautiful it was.”

“Did I read The New Yorker? This question had a dangerous urgency. It wasn't any one writer or article he was worried about, but the font. The meaning embedded, at a preconscious level, by the look of the magazine; the seal, as he described it, that the typography and layout put on dialectical thought. According to Perkus, to read The New Yorker was to find that you always already agreed, not with The New Yorker but, much more dismayingly, with yourself. I tried hard to understand. Apparently here was the paranoia Susan Eldred had warned me of: The New Yorker's font was controlling, perhaps assailing, Perkus Tooth's mind. To defend himself he frequently retyped their articles and printed them out in simple Courier, an attempt to dissolve the magazine's oppressive context. Once I'd enter his apartment to find him on his carpet with a pair of scissors, furiously slicing up and rearranging an issue of the magazine, trying to shatter its spell on his brain.”

“Grips slipped. Hers had from every surface. She's shaped nothing after all, only been crushed and reshaped. No wonder she felt for the brownstones, the cripples, now filling chaotically with no regard for her plan.”

“I'd underestimated him. I assumed anyone who started out gut-punching you in an elevator couldn't have all that much else in his arsenal. For instance, I had no idea he could smile, let alone at such an inappropriate time.”

“...Don't rupture another's illusion unless you're positive the alternative you offer is more worthwhile than that from which you're wrenching them. Interrogate your solipsism: Does it offer any better a home than the delusions you're reaching to shatter?”

“The desires our little family couldn't afford to indulge had never seemed important, only snobbish and silly and somehow misplaced, like Thurston Howell's priorities on Gilligan's Island. Besides, I'd had as much or more money than most kids I'd known in Brooklyn, if somewhat less than the majority of my Manhattan schoolmates at Stuyvesant, so figured I was somewhere in the middle. Yeah, sure, that was it: I was middle class.”