“Listen to me. I’m shy. I’m not stupid. I can’t meet people’s eyes. I don’t know if you understand what that’s like. There’s a whole world going on around me, I’m aware of that. It’s not because I don’t want to look at you, Lucinda. It’s that I don’t want to be seen.”

“Terms swarm up to tempt me in the course of this description: Greek Orthodox, Romanesque, flying buttress, etc. These guessing words I find junked in my brain in deranged juxtaposition, like files randomly stuffed into cabinets by a dispirited secretary with no notion of what, if anything, might ever be usefully retrieved. Often all language seems this way: a monstrous compendium of embedded histories I’m helpless to understand. I employ it the way a dog drives a car, without grasping how the car came to exist or what makes a combustion engine possible. That is, of course, if dogs drove cars. They don’t. Yet I go around forming sentences.”

“Well, I know better what I don’t want. I don’t want somebody who’s always nagging me to be something I’m not. And I don’t want somebody who thinks she knows what’s best for me and who maneuvers around trying to get me to do things her way.” Kate frowned. “Nobody wants anyone like that. It’s like saying, ‘I don’t want someone who’ll poke me in the eye with a sharp stick.’ Forget what you don’t want. What do you want?”

“And because I’m so out of control, I can’t help myself. I’m not even mine anymore, I’m yours, and what if you decide that you don’t want me? How could you want me like I want you?”

“People care about animals. I believe that. They just don’t want to know or to pay. A fourth of all chickens have stress fractures. It’s wrong. They’re packed body to body, and can’t escape their waste, and never see the sun. Their nails grow around the bars of their cages. It’s wrong. They feel their slaughters. It’s wrong, and people know it’s wrong. They don’t have to be convinced. They just have to act differently. I’m not better than anyone, and I’m not trying to convince people to live by my standards of what’s right. I’m trying to convince them to live by their own.”

“Pamela, I’m in love with you. Yeah, it’s that bad. You’re so beautiful to me. Shut up! Lemme tell you. Let me. Every time I look at your face or even remember it, it wrecks me - and the way you are with me - and you’re just fun and you shit all over me and you make fun of me and you’re real. I don’t have enough time in any day to think about you enough. I feel like I’m going to live a thousand years cause that’s how long it’s gonna take me to have one thought about you which is that I’m crazy about you, Pamela. I don’t wanna be with anybody else. I don’t. I really don’t. I don’t think about women anymore. I think about you. I had a dream the other night that you and I were on a train. We were on this train and you were holding my hand. That’s the whole dream. You were holding my hand and I felt you holding my hand. I woke up and I couldn’t believe it wasn’t real. I’m sick in love with you, Pamela. It’s like a condition. It’s like polio. I feel like I’m gonna die if I can’t be with you. And I can’t be with you. So I’m gonna die - and I don’t care cause I was brought into existence to know you and that’s enough. The idea that you would want me back it’s like greedy.”

“Hey, sweet. Please open your eyes, Livia. Open your eyes and see what you did. I’m actually sitting here without grimacing. There’s no pain at all. But you know that, don’t you? I don’t know why you stayed with me. God knows, I wasn’t worth it. But I don’t want you to leave me alone anymore. I need you, Livia. I can’t live without you in my life. I can’t…I’m not that strong. Please open your eyes and look at me. Please. (Adron)”