“The wind was picking up off the ocean now and the whole coastal scene had a bleak, abandoned look, as though Maine in November really belonged to the ragged gulls who wheeled over the sun-worn pier, and the humans had just gotten the news and taken a powder.”

“Anyway, it struck me now in a different light, as being yet another bit of personal meaning which had ben taken from me, stripped off like clothes I'd only borrowed or stolen. I had maybe the least persuasive case for self-pity of any human soul on the planet. Or anyway, the most hilarious.”

“Some people have things written all over their faces; the big guy had a couple of words misspelled in crayon on his.”

“Matthew and Lucinda felt at the exact edge of their lives, feeling them close, closer, as near at hand as yet elusive as the wind that whistled in their hair: the true complete lives in which they would at last drown, the oceanic voyage into their thirties and beyond, through which their inchoate yearnings would either be soothed or disappointed, or both.”

“Just handling this ocean of different books—new and used, in and out of print, famous and forgotten—it was literature as this giant mosaic of texts and experiments and attitudes. I think it’s just very liberating to break out of a great man’s theory of history. I guess I’ve always liked working from that sense of—what would you call it?—license that the margins permit. I always just visualize myself writing books that were meant one day to be dusty, forgotten volumes being encountered by intrepid browsers in a used bookstore. It was a much less freighted way to think about trying to enter the conversation than to imagine I had to write The Great Gatsby.”

“Waves, sky, trees, Essrog - I was off the page now, away from the grammar of skyscrapers and pavement.”

“Grips slipped. Hers had from every surface. She's shaped nothing after all, only been crushed and reshaped. No wonder she felt for the brownstones, the cripples, now filling chaotically with no regard for her plan.”