“[She] always knew he was a fiction but believed in him anyway.”

“Or perhaps a widow found him and took him in: brought him an easy chair, changed his sweater every morning, shaved his face until the hair stopped growing, took him faithfully to bed with her every night, whispered sweet nothings into what was left of his ear, laughed with him over black coffee, cried with him over yellowing pictures, talked greenly about having kids of her own, began to miss him before she became sick, left him everything in her will, thought of only him as she died, always knew he was fiction but believed in him anyway.”

“He wanted to believe her, but more importantly he believed in her because she knew already that he was quite lost, more lost than she would ever be, and yet she still believed in him.”

“She told him of ship voyages she had taken to places he had never heard of, and stories he knew were all untrue, were bad not-truths, even, but he nodded, and tried to convince himself to be convinced, tried to believe her, because he knew that the origin of the story is always an absence and he wanted to live among presences.”

“She knew what Silas wanted. He wanted her to believe Amos was alive somewhere. Silas wanted help, clinging to his hope. She knew her son. For all her dislike of how much he was like his father, she knew him.”

“She had to tell somebody, and Matthew would do. He would not be particularly interested, she knew, but she would tell him anyway. She had to share her joy, as Lou knew that joy unshared was a halved emotion, just as sadness and loss, when borne alone, were often doubled.”