“Hippo in a skirt: this was a comic reference to one of Solomon's principal wives, the one from Moab. Childish? Yes. But in the days before printing we had limited opportunities for satire.”

“Me, I was still in the pygmy hippo in a skirt, singing lusty songs about Solomon's private life and a giant stone back and forth through the air as I climbed out of the quarry at the edge of the site.”

“Then again, Solomon was human. And that meant he was flawed (Go on, take a look at yourself in the mirror. A good long look, if you can bear it. See? Flawed's putting it mildly, isn't it?)”

“Despite his crimped shirts and flowing mane (or perhaps because of them) I had seen no evidence as yet that Nathaniel even knew what a girl was. If he'd ever met one, chances are they'd both have run screaming in opposite directions.”

“That's usually how they start, the young ones. Meaningless waffle.”

“Believe me, I know all about bottle acoustics. I spent much of the sixth century in an old sesame oil jar, corked with wax, bobbing about in the Red Sea. No one heard my hollers. In the end an old fisherman set me free, by which time I was desperate enough to grant him several wishes. I erupted in the form of a smoking giant, did a few lightning bolts, and bent to ask him his desire. Poor old boy had dropped dead of a heart attack. There should be a moral there, but for the life of me I can't see one.”

“One magician demanded I show him an image of the love of his life. I rustled up a mirror.”