“Loneliness doesn’t exist on any single plane of consciousness. It’s generally a low throb, barely audible, like the hum of a Mercedes engine in park, but every so often the demands of the highway call for a burst of acceleration, and the hum becomes a thunderous, elemental roar, and once again you’re reminded of what this baby’s carrying under the hood.”

“Everyone always wants to know how you can tell when it's true love, and the answer is this: when the pain doesn't fade and the scars don't heal, and it's too damned late.The tears threaten to return, so I willfully banish all thoughts from my head and take a few more deep breaths. I'm suddenly dizzy from the panic attack I've just suffered, and I close my eyes, resting my head against the warm leather of my steering wheel. Loneliness doesn't exist on any single plane of consciousness. It's generally a low throb, barely audible, like the hum of a Mercedes engine in park, but every so often the demands of the highway call for a burst of acceleration, and the hum becomes a thunderous, elemental roar, and once again you're reminded of what this baby's carrying under the hood.”

“Destroy! destroy! destroy! hums the under-consciousness. Love and produce! Love and produce! cackles the upper consciousness. And the world hears only the Love-and- produce cackle. Refuses to hear the hum of destruction under- neath. Until such time as it will have to hear.”

“Lillian is humming to herself, stretched out on top of my bookcase like she doesn’t mind the heat, and of course she doesn’t. Even when she was alive, she could never seem to get warm. The tune she’s humming is thin and tight with anxiety. It’s the opposite of carefree.”

“Would you like to?” he says. His voice is hardly audible above the wind—so low it’s barely a whisper.“Would I like to what?” My heart is roaring, rushing in my ears, and thoughthere are still several inches between his hand and mine, there’s a zipping,humming energy that connects us, and from the heat flooding my body youwould think we were pressed together, palm to palm, face to face.“Dance,” he says, at the same time closing those last few inches and findingmy hand and pulling me closer, and at that second the song hits a high note and Iconfuse the two impressions, of his hand and the soaring, the lifting of the music.We dance.”

“Three o'clock in the morning. The highway is empty, under a malignant moon. The oil drippings make the roadway gleam like a blue-satin ribbon. The night is still but for a humming noise coming up somewhere behind a rise of ground. Two other, fiercer, whiter moons, set close together, suddenly top the rise, shoot a fan of blinding platinum far down ahead of them. Headlights. The humming burgeons into a roar. The touring car is going so fast it sways from side to side. The road is straight. The way is long. The night is short. (Jane Brown's Body")”