“A man sets out to draw the world. As the years go by, he peoples a space with images of provinces, kingdoms, mountains, bays, ships, islands, fishes, rooms, instruments, stars, horses, and individuals. A short time before he dies, he discovers that the patient labyrinth of lines traces the lineaments of his own face.”

“A man sets himself the task of portraying the world. Shortly before he dies he discovers that this patient labyrinth of lines is a drawing of his own face.”

“He—that's Simon Bolivar—was shaken by the overwhelming revelation that the headlong race between his misfortunes and his dreams was at that moment reaching the finish line. The rest was darkness. Damn it," he sighed. "'How will I ever get out of this labyrinth!'"So what's the labyrinth?" I asked her."That's the mystery, isn't it? Is the labyrinth living or dying? Which is he trying to escape—the world or the end of it?”

“A mountain is the best medicine for a troubled mind. Seldom does man ponder his own insignificance. He thinks he is master of all things. He thinks the world is his without bonds. Nothing could be farther from the truth. Only when he tramps the mountains alone, communing with nature, observing other insignificant creatures about him, to come and go as he will, does he awaken to his own short-lived presence on earth.”

“What more ghastly image can be called up than that of a man betrayed by his body who, simply because he did not die in time, lives out the comedy while awaiting the end, face to face with that God he does not adore, serving him as he served life, kneeling before a void and arms outstretched toward a heaven without eloquence that he knows to be also without depth?”

“They say that at the mountain pass he looked back at his kingdom, his beautiful kingdom, and wept, and his mother told him to weep like a woman for what he could not hold as a man.”