“But let no one imagine that we were mere ascetics. There is no more complex pleasure than thought, and it was to thought that we delivered ourselves over.”
In this quote by Jorge Luis Borges, he speaks to the complexity and pleasure of thought. He emphasizes that engaging in deep thinking is not a dull or ascetic practice, but rather a rich and complex experience. Let's delve deeper into the significance of this quote and what it reveals about the nature of intellectual engagement.
By stating that "there is no more complex pleasure than thought," Borges highlights the idea that intellectual exploration and deep thinking can be incredibly fulfilling and enriching. He challenges the notion that ascetics, who often practice severe self-discipline and austerity, are the only ones who seek deeper understanding or meaning in life. Instead, Borges suggests that engaging in thought and intellectual pursuits can provide a different kind of pleasure and fulfillment.
Furthermore, by stating that they "delivered ourselves over" to thought, Borges underscores the idea that true intellectual engagement requires commitment and dedication. It is not just a passive exercise but an active choice to immerse oneself in the intricacies of the mind. This quote serves as a powerful reminder of the importance of intellectual stimulation and the rewards that come from engaging in deep thought.
In a world driven by instant gratification and constant distractions, the value of turning inward and allowing oneself to engage in deep thought seems to have diminished. However, Jorge Luis Borges' words remind us of the unparalleled satisfaction and complexity of delving into our own minds. In the midst of a society that is constantly seeking external sources of pleasure and entertainment, the act of engaging in deep thought and contemplation can provide us with a sense of fulfillment that is unrivaled. It is through the exploration of our own thoughts that we can truly understand ourselves and the world around us, making Borges' words as relevant today as they were when they were first written.
One of the greatest pleasures in life is the act of thinking and pondering. As Jorge Luis Borges once wrote, "But let no one imagine that we were mere ascetics. There is no more complex pleasure than thought, and it was to thought that we delivered ourselves over." This quote highlights the beauty and fulfillment that can be found in the simplicity of engaging in deep and meaningful contemplation.
When considering the quote by Jorge Luis Borges, "But let no one imagine that we were mere ascetics. There is no more complex pleasure than thought, and it was to thought that we delivered ourselves over," it invites us to reflect on the idea of finding pleasure in intellectual pursuits. Here are some questions to consider:
“The thought came over me that never would one full and absolute moment, containing all the others, justify my life, that all of my instants would be provisional phases, annihilators of the past turned to face the future, and that beyond the episodic, the present, the circumstantial, we were nobody.”
“At first cautiously, later indifferently, at last desperately, I wandered up the stairs and along the pavement of the inextricable palace. (Afterwards I learned that the width and height of the steps were not constant, a fact which made me understand the singular fatigue they produced). 'This palace is a fabrication of the gods,' I thought at the beginning. I explored the uninhabited interiors and corrected myself: ' The gods who built it have died.' I noted its peculiarities and said: 'The gods who built it were mad.' I said it, I know, with an incomprehensible reprobation which was almost remorse, with more intellectual horror than palpable fear......'This City' (I thought) 'is so horrible that its mere existence and perdurance, though in the midst of a secret desert, contaminates the past and the future and in some way even jeopardizes the stars.”
“He thought that the rose was to be found in its own eternity and not in his words; and that we may mention or allude to a thing, but not express it.”
“Distance and antiquity (the emphases of space and time) pull on our hearts. If we are already sobered by the thought that men lived two thousand five hundred years ago, how could we not be moved to know that they made verses, were spectators of the world, that they sheltered in light, lasting words something of their ponderous, fleeting life, words that fulfill a long destiny?”
“A: Absorbed in our discussion of immortality, we had let night fall without lighting the lamp, and we couldn't see each other's faces. With an offhandedness or gentleness more convincing than passion would have been, Macedonio Fernandez' voice said once more that the soul is immortal. He assured me that the death of the body is altogether insignificant, and that dying has to be the most unimportant thing that can happen to a man. I was playing with Macedonio's pocketknife, opening and closing it. A nearby accordion was infinitely dispatching La Comparsita, that dismaying trifle that so many people like because it's been misrepresented to them as being old... I suggested to Macedonio that we kill ourselves, so we might have our discussion without all that racket. Z: (mockingly) But I suspect that at the last moment you reconsidered. A: (now deep in mysticism) Quite frankly, I don't remember whether we committed suicide that night or not.”
“The aesthetic event is something as evident, as immediate, as indefinable as love, the taste of fruit, as water. We feel poetry as we feel the closeness of a woman, or as we feel a mountain or a bay. If we feel it immediately, why dilute it further with words, which no doubt will be weaker than our feelings?”