“SomeoneA man worn down by time,a man who does not even expect death(the proofs of death are statisticsand everyone runs the riskof being the first immortal),a man who has learned to express thanksfor the days' modest alms:sleep, routine, the taste of water,an unsuspected etymology,a Latin or Saxon verse,the memory of a woman who left himthirty years ago nowwhom he can call to mind without bitterness,a man who is aware that the presentis both future and oblivion,a man who has betrayedand has been betrayed,may feel suddenly, when crossing the street,a mysterious happinessnot coming from the side of hopebut from an ancient innocence,from his own root or from some diffuse god.He knows better than to look at it closely,for there are reasons more terrible than tigerswhich will prove to himthat wretchedness is his duty,but he accepts humblythis felicity, this glimmer.Perhaps in death when the dustis dust, we will be foreverthis undecipherable root,from which will grow forever,serene or horrible,or solitary heaven or hell.”

“Any life, however long and complicated it may be, actually consists of a single moment — the moment when a man knows forever more who he is.”

“What man of us has never felt, walking through the twilight or writing down a date from his past, that he has lost something infinite?”

“Chang Tzu tells us of a persevering man who after three laborious years mastered the art of dragon-slaying. For the rest of his days, he had not a single opportunity to test his skills.”

“i walk slowly, like one who comes from so far away he doesn't expect to arrive.”

“Boast of QuietnessWritings of light assault the darkness, more prodigious than meteors.The tall unknowable city takes over the countryside.Sure of my life and death, I observe the ambitious and would like tounderstand them.Their day is greedy as a lariat in the air.Their night is a rest from the rage within steel, quick to attack.They speak of humanity.My humanity is in feeling we are all voices of that same poverty.They speak of homeland.My homeland is the rhythm of a guitar, a few portraits, an old sword,the willow grove's visible prayer as evening falls.Time is living me.More silent than my shadow, I pass through the loftily covetous multitude.They are indispensable, singular, worthy of tomorrow.My name is someone and anyone.I walk slowly, like one who comes from so far away he doesn't expect to arrive.”

“A: Absorbed in our discussion of immortality, we had let night fall without lighting the lamp, and we couldn't see each other's faces. With an offhandedness or gentleness more convincing than passion would have been, Macedonio Fernandez' voice said once more that the soul is immortal. He assured me that the death of the body is altogether insignificant, and that dying has to be the most unimportant thing that can happen to a man. I was playing with Macedonio's pocketknife, opening and closing it. A nearby accordion was infinitely dispatching La Comparsita, that dismaying trifle that so many people like because it's been misrepresented to them as being old... I suggested to Macedonio that we kill ourselves, so we might have our discussion without all that racket. Z: (mockingly) But I suspect that at the last moment you reconsidered. A: (now deep in mysticism) Quite frankly, I don't remember whether we committed suicide that night or not.”