“Somewhere, there is a Moatengator trained to kill you. He was trained with minimal food, water or sleep. He was trained day and night to think, to lead, and to survive under conditions so extreme, you might find them comical. He learned more about himself and camaraderie on his first trip into the jungle than most men learn in a lifetime. The only thing clean on him is his weapon. He doesn't worry about what workout to do - his ruck weighs what it weighs. His runs ends when it ends. This Moatengator is not concerned about 'how hard it is;' he knows either he wins or he may die and so may his Brothers. He doesn't go home at 17:00, he is always at home. He knows only the jungle, his rifle and the Moatengator brotherhood.”

“Ricky opened his mouth and started to say something but his voice cracked. He closed his mouth. He then reopened it and then closed it again. He took a deep breath and then he stepped back and wiped his face again.”

“So Dobby stopped us from getting on the train and broke your arm. . . ." He shook his head. "You know what, Harry? If he doesn't stop trying to save your life he's going to kill you.”

“One day, as My uncle Antonio was heading out to a cantina, I slipped a story I had written into his shirt pocket. It was story about a little boy who would poke his finger with a needle and make it bleed. The boy did it so he would get some attention from his mother. It worked out great for a while. But one day, his mother came into the boy’s room, lifted up his sheets and found the boy’s cold body. The little boy had bled to death. The next morning, I awoke to find a new black and white speckled composition notebook sitting next to my head....”

“Esteban took a step backwards and took his sweatshirt off. He folded it and placed it on the ground next to the wall. He looked like a matador preparing for a bullfight. I opened my mouth and almost said something...”

“Perhaps this is our strange and haunting paradox here in America -- that we are fixed and certain only when we are in movement. At any rate, that is how it seemed to young George Webber, who was never so assured of his purpose as when he was going somewhere on a train. And he never had the sense of home so much as when he felt that he was going there. It was only when he got there that his homelessness began.”

“He looks out the window at the falling snow, then turns and takes his wife in his arms, feeling grateful to be here even as he wonders what he is going to do with his life in strictly practical terms. For years he had trained himself to do one thing, and he did it well, but he doesn't know whether he wants to keep doing it for the rest of his life, for that matter, whether anyone will let him. He is still worrying when they go to bed.Feeling his wife's head nesting in the pillow below his shoulder, he is almost certain that they will find ways to manage. They've been learning to get by with less, and they'll keep learning. It seems to him as if they're taking a course in loss lately. And as he feels himself falling asleep he has an insight he believes is important, which he hopes he will remember in the morning, although it is one of those thoughts that seldom survive translation to the language of daylight hours: knowing that whatever plenty befalls them together or separately in the future, they will become more and more intimate with loss as the years accumulate, friends dying or slipping away undramatically into the crowded past, memory itself finally flickering and growing treacherous toward the end; knowing that even the children who may be in their future will eventually school them in the pain of growth and separation, as their own parents and mentors die off and leave them alone in the world, shivering at the dark threshold.”