“The inmost significance of the exaggerated value which is set upon hard work appears to be this: man seems to mistrust everything that is effortless; he can only enjoy, with a good conscience, what he has acquired with toil and trouble; he refused to have anything as a gift.”

“The vacancy left by absence of worship is filled by mere killing of time and by boredom, which is directly related to inability to enjoy leisure; for one can only be bored if the spiritual power to be leisurely has been lost. There is an entry in Baudelaire... "One must work, if not from taste then at least from despair. For, to reduce everything to a single truth: work is less boring than pleasure.”

“The happy man needs nothing and no one. Not that he holds himself aloof, for indeed he is in harmony with everything and everyone; everything is "in him"; nothing can happen to him. The same may also be said for the contemplative person; he needs himself alone; he lacks nothing.”

“Who among us has not suddenly looked into his child's face, in the midst of the toils and troubles of everyday life, and at that moment "seen" that everything which is good, is loved and lovable, loved by God! Such certainties all mean, at bottom, one and the same thing: that the world is plumb and sound; that everything comes to its appointed goal; that in spite of all appearances, underlying all things is - peace, salvation, gloria; that nothing and no one is lost; that "God holds in his hand the beginning, middle, and end of all that is." Such nonrational, intuitive certainties of the divine base of all that is can be vouchsafed to our gaze even when it is turned toward the most insignificant-looking things, if only it is a gaze inspired by love. That, in the precise sense, is contemplation...Out of this kind of contemplation of the created world arise in never-ending wealth all true poetry and all real art, for it is the nature of poetry and art to be paean and praise heard above all the wails of lamentation. No one who is not capable of such contemplation can grasp poetry in a poetic fashion, that is to say, in the only meaningful fashion. The indispensability, the vital function of the arts in man's life, consists above all in this: that through them contemplation of the created world is kept alive and active.”

“If in this supreme test, in face of which the braggart falls silent and every heroic gesture is paralyzed, a man walks straight up to the cause of his fear and is not deterred from doing that which is good -- which ultimately means for the sake of God, and therefore not from ambition or from fear of being taken for a coward -- this man, and he alone, is truly brave.”

“The brave man uses wrath for his own act, above all in attack, 'for it is peculiar to wrath to pounce upon evil. Thus fortitude and wrath work directly upon each other.”

“Beauty is not so much a fulfillment as rather a promise." In other words, by absorbing beauty with the right disposition, we experience, not gratification, satisfaction, and enjoyment but the arousal of an expectation; we are oriented toward something "not-yet-here". He who submits properly to the encounter with beauty will be given the sight and tase not of a fulfillment but of a promise--a promise that, in our bodily existence, can never be fulfilled. . . . Lovers and philosopers are connectd by special ties, insofar as both erotic excitement and genuine philosophical quest trigger a momentum that, in this finite existence, can never be stilled. In an encounter with sensual beauty, if man opens up totally to the object of the encounter, a passion is born that, in the realm of the senses, which at first would seem to be the only adequate realm, can never be satisfied. The same holds true for the first moment of philosophical wonder (the wonder that arises from our contact with "reality"); a question arises that, in our finite world--which may mean, for example, with the tools of "science"--will also never receive an answer. The philosopher and the true lover--neither will find fulfillment except through a divine favor.”