“...boredom speaks the language of time, and it is to teach you the most valuable lesson in your life--...the lesson of your utter insignificance. It is valuable to you, as well as to those you are to rub shoulders with. 'You are finite,' time tells you in a voice of boredom, 'and whatever you do is, from my point of view, futile.' As music to your ears, this, of course, may not count; yet the sense of futility, of limited significance even of your best, most ardent actions is better than the illusion of their consequence and the attendant self-satisfaction.”

“When hit by boredom, let yourself be crushed by it; submerge, hit bottom. In general, with things unpleasant, the rule is: The sooner you hit bottom, the faster you surface. The idea here is to exact a full look at the worst. The reason boredom deserves such scrutiny is that it represents pure, undiluted time in all its repetitive, redundant, monotonous splendor.Boredom is your window on the properties of time that one tends to ignore to the likely peril of one's mental equilibrium. It is your window on time's infinity. Once this window opens, don't try to shut it; on the contrary, throw it wide open.”

“After all, it is hard to master both life and work equally well. So if you are bound to fake one of them, it had better be life.”

“Judge: And what is your occupation in general?Brodsky: Poet, poet-translator.Judge: And who recognized you to be a poet? Who put you in the ranks of poet?Brodsky: No one. And who put me in the ranks of humanity?Judge: Did you study it?...How to be a poet? Did you attempt to finish an insitute of higher learning...where they prepare...teachBrodsky: I did not think that it is given to one by education.Judge: By what then?Brodsky: I think that it is from God.”

“You learn best by reading a lot and writing a lot, and the most valuable lessons of all are the ones you teach yourself.”

“Nobody knew literature and history better than these people, nobody could write better Russian than they, nobody despised our times more profoundly. For these characters civilization meant more than daily bread and a nightly hug. This wasn’t, as it would seem, another lost generation. This was the only generation of Russians that had found itself, for whom Giotto and Mandelstam were more imperative than their own personal destinies. Poorly dressed yet somehow still elegant…broken, growing old, they still retained their love for the non-existent (or existing only in their balding heads) thing called ‘civilization.”

“It really does look like musical sheets, frayed at the edges, constantly played, coming to you in tidal scores, in bars of canals with innumerable obbligati of bridges, mullioned windows, or curved crownings of Coducci cathedrals, not to mention the violin necks of gondolas. In fact, the whole city, especially at night, resembles a gigantic orchestra, with dimly lit music stands of palazzi, with a restless chorus of waves, with the falsetto of a star in the winter sky.”