“It's an abominable fallacy that suffering makes for greater art. Suffering blinds, deafens, ruins, and often kills. Osip Mandelstam was a great poet before the revolution. So was Anna Akhmatova, so was Marina Tsvetaeva. They would have become what they became even if none of the historical events that befell Russia in this century had taken place: because they were gifted. Basically, talent doesn't need history.”

“...my longing was for Russia...Not Soviet Russia. But nineteenth-century Russia, the Russia of Dostoevsky's saintly prostitutes and Alyosha; of Tolstoy's Pierre; and Aksionov, the sufferer in "God Sees the Truth But Waits." A country where the characters in books were allowed to ask one another the questions: How must I live to be happy? What is goodness? Why does man suffer? What is to be done?”

“We want what the woman wanted in the prison queue in Leningrad, standing there with cold and whispering for fear, enduring the terror of Stalin's regime and asking the poet Anna Akhmatova if she could describe it all, if her art was equal to it.”

“❤Sometimes our greatest gifts and talents are birthed through great pain and suffering”

“Therefore, all these causes-billions of causes-coincided so as to bring about what happened. And consequently none of them was the exclusive cause of the event, but the event had to take place simply because it had to take place.”

“I'll tell you why the six million matter so much: it is because the Jews are the chosen people. Forget the Cambodians, forget the American blacks, this is unique suffering. But I reject this idea. It is not a unique suffering. What about the twenty million under Stalin? It isn't better if you are killed for ideological reasons. Death is death. All death is suffering. Others have suffered too, and that is history, suffering.”