“Nobody knew literature and history better than these people, nobody could write better Russian than they, nobody despised our times more profoundly. For these characters civilization meant more than daily bread and a nightly hug. This wasn’t, as it would seem, another lost generation. This was the only generation of Russians that had found itself, for whom Giotto and Mandelstam were more imperative than their own personal destinies. Poorly dressed yet somehow still elegant…broken, growing old, they still retained their love for the non-existent (or existing only in their balding heads) thing called ‘civilization.”

“In the end, like the Almighty Himself, we make everything in our image, for want of a more reliable model; our artifacts tell more about ourselves than our confessions.”

“It's an abominable fallacy that suffering makes for greater art. Suffering blinds, deafens, ruins, and often kills. Osip Mandelstam was a great poet before the revolution. So was Anna Akhmatova, so was Marina Tsvetaeva. They would have become what they became even if none of the historical events that befell Russia in this century had taken place: because they were gifted. Basically, talent doesn't need history.”

“Poetry is rather an approach to things, to life, than it is typographical production.”

“Life is a game with many rules but no referee. One learns how to play it more by watching it than by consulting any book, including the holy book. Small wonder, then, that so many play dirty, that so few win, that so many lose.”

“...boredom speaks the language of time, and it is to teach you the most valuable lesson in your life--...the lesson of your utter insignificance. It is valuable to you, as well as to those you are to rub shoulders with. 'You are finite,' time tells you in a voice of boredom, 'and whatever you do is, from my point of view, futile.' As music to your ears, this, of course, may not count; yet the sense of futility, of limited significance even of your best, most ardent actions is better than the illusion of their consequence and the attendant self-satisfaction.”

“For a writer, only one form of patriotism exists: his attitude toward language.”