“Any work aspiring to be art however humble should carry its justification in every line.”

“A work that aspires, however humbly, to the condition of art should carry its justification in every line...To snatch in a moment of courage, from the remorseless rush of time, a passing phase of life is only the beginning of the task. The task approached in tenderness and faith is to hold up unquestioningly, without choice and without fear, the rescued fragment before all eyes and in the light of a sincere mood. It is to show its vibration, its colour, its form; and through its movement, its form, and its colour, reveal the substance of its truth -- disclose its inspiring secret: the stress and passion within the core of each convincing moment. In a single-minded attempt of that kind, if one be deserving and fortunate, one may perchance attain to such clearness of sincerity that at last the presented vision of regret or pity, of terror or mirth, shall awaken in the hearts of the beholders that feeling of unavoidable solidarity; of the solidarity in mysterious origin, in toil, in joy, in hope, in uncertain fate, which binds men to each other and all mankind to the visible world.”

“Every age is fed on illusions, lest men should renounce life early and the human race come to an end.”

“No, it is impossible; it is impossible to convey the life-sensation of any given epoch of one’s existence--that which makes its truth, its meaning--its subtle and penetrating essence. It is impossible. We live, as we dream--alone.”

“From a letter to Barrett H.Clark, 4 May 1918(LL,II,pp.204-5):"my attitude to subjects and expressions, the angles of vision, my methods of composition will, within limits, be always changing--not because I am unstable or unpricipled but because I am free. Or perhaps it may be more exact to say, because I am always trying for freedom--within my limits...A work of art is seldom limited to one exclusive meaning and not necessarily tending to a definite conclusion. And this for the reason that the nearer it approaches art, the more it acquires a symbolic character.”

“Preparation for the future was necessary, and he was willing to admit that the great change would perhaps come in the upheaval of a revolution. But he argued that revolutionary propaganda was a delicate work of high conscience. It was the education of the masters of the world. It should be as careful as the education given to kings.”

“I ask myself whether his rush had really carried him out of that mist in which he loomed interesting if not very big, with floating outlines - a straggler yearning inconsolably for his humble place in the ranks. And besides, the last word is not said, - probably shall never be said. Are not our lives too short for that full utterance which through all our stammerings is of course our only and abiding intention?...There is never time to say our last word - the last word of our love, of our desire, faith, remorse, submissions, revolt....My last words about Jim shall be few. I affirmed that he achieved greatness.”