“. . . but in the great demoralization of the land he kept up his appearance. That's backbone.”

“Beyond the fence the forest stood up spectrally in the moonlight, and through the dim stir, through the faint sounds of that lamentable courtyard, the silence of the land went home to one's very heart - its mystery, its greatness, the amazing reality of its concealed life.”

“Each blade of grass has its spot on earth whence it draws its life, its strength; and so is man rooted to the land from which he draws his faith together with his life.”

“Don't be too sure,' he continued. “The other day I took up a man who hanged himself on the road. He was a Swede, too.' 'Hanged himself! Why, in God's name?' I cried. He kept on looking out watchfully. 'Who knows? The sun too much for him, or the country perhaps.”

“The panes streamed with rain, and the short street he looked down into lay wet and empty, as if swept clear suddenly by a great flood. It was a very trying day, choked in raw fog to begin with, and now drowned in cold rain. The flickering, blurred flames of gas-lamps seemed to be dissolving in a watery atmosphere. And the lofty pretensions of a mankind oppressed by the miserable indignities of the weather appeared as a colossal and hopeless vanity deserving of scorn, wonder, and compassion.”

“There too he had been treated with revolting injustice. His struggles, his privations,his hard work to raise himself in the social scale, hadfilled him with such an exalted conviction of his merits that it was extremely difficult for the world to treat him with justice— the standard of that notion depending so much upon the patience of the individual. The Professor had genius, but lacked the great social virtue of resignation.”

“the artist descends within himself, and in that lonely region of stress and strife, if he be deserving and fortunate, he finds the terms of his appeal. His appeal is made to our less obvious capacities: to that part of our nature which, because of the warlike conditions of existence, is necessarily kept out of sight within the more resisting and hard qualities … His appeal is less loud, more profound, less distinct, more stirring—and sooner forgotten. Yet its effect endures forever ... the artist appeals to that part of our being which is not dependent on wisdom: to that in us which is a gift and not an acquisition—and, therefore, more permanently enduring.”