“It echoed loudly within him because he was hollow at the core.”

“I think it had whispered to him things about himself which he did not know, things of which he had no conception till he took counsel with this great solitude - and the whisper had proved irresistibly fascinating. It echoed loudly within him because he was hollow at the core.”

“Whether he knew of this deficiency himself I can't say. I think the knowledge came to him at last--only at the very last. But the wilderness found him out early, and had taken vengeance for the fantastic invasion. I think it had whispered to him things about himself which he did not know, things of which he had no conception till he took counsel with this great solitude--and the whisper had proved irresistibly fascinating. It echoed loudly within him because he was hollow at the core”

“the artist descends within himself, and in that lonely region of stress and strife, if he be deserving and fortunate, he finds the terms of his appeal. His appeal is made to our less obvious capacities: to that part of our nature which, because of the warlike conditions of existence, is necessarily kept out of sight within the more resisting and hard qualities … His appeal is less loud, more profound, less distinct, more stirring—and sooner forgotten. Yet its effect endures forever ... the artist appeals to that part of our being which is not dependent on wisdom: to that in us which is a gift and not an acquisition—and, therefore, more permanently enduring.”

“From a letter to Barrett H.Clark, 4 May 1918(LL,II,pp.204-5):"my attitude to subjects and expressions, the angles of vision, my methods of composition will, within limits, be always changing--not because I am unstable or unpricipled but because I am free. Or perhaps it may be more exact to say, because I am always trying for freedom--within my limits...A work of art is seldom limited to one exclusive meaning and not necessarily tending to a definite conclusion. And this for the reason that the nearer it approaches art, the more it acquires a symbolic character.”

“And Mr Verloc, temparamentally identical with his associates, drew fine distinctions in his mind on the strenght of insignificant differences. He drew them with a certain complacency, because the instinct of conventional respectability was strong within him, being only overcome by defect which he shared with a large proportion of revolutionary reformers of a given social state. For obviously one does not revolt against the advantages and opportunities of that state, but against the price which must be paid for the same in the coin of accepted morality, self-restraint, and toil. The majority of revolutionists are the enemies of discipline and fatigue mostly. There are natures, too, to whose sense of justice the price exacted looms up monstrously enormous, odious, oppressive, worrying, humiliating, extortionate, intolerable. Those are the fanatics. The remaining portion of social rebels is accounted for by, vanity, the mother of all noble and vile illusions, the companion of poets, reformers, charlatans, prophets, and incendiaries.”

“Everything belonged to him--but that was a trifle. The thing to know was what he belonged to, how many powers of darkness claimed him for their own.”