“the artist descends within himself, and in that lonely region of stress and strife, if he be deserving and fortunate, he finds the terms of his appeal. His appeal is made to our less obvious capacities: to that part of our nature which, because of the warlike conditions of existence, is necessarily kept out of sight within the more resisting and hard qualities … His appeal is less loud, more profound, less distinct, more stirring—and sooner forgotten. Yet its effect endures forever ... the artist appeals to that part of our being which is not dependent on wisdom: to that in us which is a gift and not an acquisition—and, therefore, more permanently enduring.”

“These, said Conrad, knew the world by systematic examination. To begin with the artist had only himself; he descended within himself and in the lonely regions to which he descended, he found "the terms of his appeal". He appealed, said Conrad, "to that part of our being which is a gift, not an acquisition, to the capacity for delight and wonder... our sense of pity and pain, to the latent feeling of fellowship with all creation - and to the subtle but invincible conviction of solidarity that knits together the loneliness of innumerable hearts... which binds together all humanity - the dead to the living and the living to the unborn.”

“And, in fact, if these crimes appeal less to the senses, they appeal more to the mind; and the mind, in the last analysis, is the profoundest part of us. For the novelist, therefore, there is a new type of tragedy to be derived from these crimes, more intellectual than physical in character, which do not really seem to be crimes to the superficial judgement of old materialistic societies because they do not involve bloodshed, and murder is committed only in the sphere of feelings and manners.”

“Distrust the book which reads too easily because such writing appeals more to the senses than to the intellect. Hard reading exercises the mind.”

“Our greatest need is not for a better income or a more appealing body, but for salvation.”

“The objection to propaganda is not only its appeal to unreason, but still more the unfair advantage which it gives to the rich and powerful.”