“The well-known shrill voice startled Almayer from his dream of splendid future into the unpleasant realities of the present hour. An unpleasant voice too. He had heard it for many years, and with every year he liked it less. No matter; there would be an end to all this soon.”

“Just the sound of his voice twists my stomach into a knot of unpleasant emotions like guilt, sadness and fear. And longing. I might as well admit there’s some of that too.”

“He heard the voice that had called to him in dreams, had saved him from the sands and from following his brother into the river.”

“He still heard his mother's voice--"Davey"--rise like whisper-dust from unseen corners in the house, but it was no longer the only voice he heard. His ears were also filled with the voices of others--his father and Primrose and Refrigerator John and his grandmother. Of course, all of their words for a thousand years could not fill the hole left by his mother, but they could raise a loving fence around it so he didn't keep falling in.”

“I said, "I don't think I can give you that kind of emotion." And he [Hitchcock] sat there and said, "Ingrid, fake it!" Well, that was the best advice I've had in my whole life, because in all the years to come there were many directors who gave me what I thought were quite impossible instructions and many difficult things to do, and just when I was on the verge of starting to argue with them, I heard his voice coming to me through the air saying, "Ingrid, fake it!" It saved a lot of unpleasant situations and waste of time.”

“He stood just near the club’s steps, his back to me along the foggy English night, and it was not until I’d passed him and began my ascent of the many steps that I’d heard his voice. The voice I knew, in all my years of living upon the Earth, that I would never forget. Even then I had known this. It was the slippery way of his tongue, or perhaps it was the coolness of which his words passed across the air and slid its way into my ears as though they were only meant for me.”