“A moving shadow means more to us than a body at rest. We are no longer taken in by a fixed grin. We know that only death has a rictus.”
In this quote, Joseph Roth discusses the significance of movement and change in life. He suggests that a moving shadow, representing change and impermanence, holds more value to us than a body at rest. This could be interpreted as a metaphor for the idea that growth and progress are essential to a fulfilling life. Roth also alludes to the idea that a fixed smile or facade is not a true indication of inner feelings or emotions, as only death can truly reveal a person's state of being. Overall, the quote prompts us to reflect on the transient nature of life and the importance of embracing change and growth.
In this quote by Joseph Roth, the idea of a moving shadow being more significant than a body at rest is presented. This concept can be interpreted as a metaphor for the complexities of human emotions and experiences. In today's fast-paced and ever-changing world, the idea that movement and change hold more value than stagnation and predictability can be especially relevant. It reminds us to embrace change, growth, and transformation in our own lives, rather than remaining static. Additionally, the notion that only death results in a fixed and unchanging state serves as a stark reminder of the impermanence of life, urging us to live fully and embrace the dynamics of our existence.
“A moving shadow means more to us than a body at rest. We are no longer taken in by a fixed grin. We know that only death has a rictus.” - Joseph Roth
As we contemplate Joseph Roth's words, it may prompt us to reflect on our own perceptions of life and death. Here are some questions to ponder:
“Although the noise of the chattering clientele is much more significant than the topics of their chatter, it does finally constitute that type of social and indistinct expression that we refer to as rhubarb. The very particular volume in which people tell each other their news seems to generate all by itself that acoustic chiaroscuro, a sounding murk, in which every communication seems to lose its edges, truth projects the shadow of a lie, and a statement seems to resemble its opposite.”
“Confronted with the truly microscopic, all loftiness is hopeless, completely meaningless. The diminutive of the parts is more impressive than the monumentality of the whole. I no longer have any use for the sweeping gestures of heroes on the global stage. I'm going for a walk.”
“Many of us served in the war, many died. We have written for Germany, we have died for Germany. We have spilled our blood for Germany in two ways: the blood that runs in our veins, and the blood with which we write. We have sung Germany, the real Germany! And that is why today we are being burned by Germany!”
“The escalator seems to me to typify this: It leads us up, by climbing on our behalf. Yes, it doesn't even climb, it flies. Each step carries its shopper aloft, as though afraid he might change his mind. It takes us up to merchandise we might not have bothered to climb an ordinary flight of steps for.”
“God is with the vanquished, not with the victors! At a time when His Holiness, the infallible Pope of Christendom, is concluding a peace agreement, a Concordat, with the enemies of Christ, when the Protestant's are establishing a "German church" and censoring the Bible, we descendants of the old Jews, the forefathers of European culture, are the only legitimate German representatives of that culture. Thanks to inscrutable divine wisdom, we are physically incapable of betraying it to the heathen civilization of poison gases, to the ammonia-breathing, Germanic war god.”
“And in the evening concealed fluorescent tubes light the room so evenly that it is no longer illuminated, it is a pool of luminosity.”