“It isn't that nothing is left. It is that what remains is such an old sad ghost of the thing that used to be, and he can't bear lying down with the vestiges.”
In this quote by Josephine Humphreys, the speaker is expressing a deep sense of loss and nostalgia. They are reflecting on how what remains of something is only a shadow of its former self. The idea of lying down with the vestiges suggests an unwillingness to accept the diminished state of the thing that used to be more fulfilling and alive. The use of the word "ghost" emphasizes the haunting presence of what once was, adding a layer of melancholy to the speaker's contemplation. This quote captures the bittersweet feeling of holding onto memories of the past while struggling to come to terms with the reality of the present.
The quote by Josephine Humphreys highlights the profound sense of loss and nostalgia that individuals may feel when faced with the remnants of what once was. In today's fast-paced and ever-changing world, many people can relate to the bittersweet feeling of holding onto memories of the past that have faded over time. Humphreys' words serve as a reminder of the challenges of dealing with the ghosts of our past and finding peace in the present.
The quote by Josephine Humphreys can be used to describe the feeling of loss and emptiness when something cherished has deteriorated beyond recognition. It expresses the pain of holding on to something that is a mere shadow of its former self.
Reflecting on the quote by Josephine Humphreys, consider the following questions:
“Well, I mean I have forgotten how to go anywhere alone. There are things you have to do. Like throw money into a toll basket on a highway. I'd pull up to it now and panic. Or what if I had to hail a cab? It's hard to believe, but I used to be able to do things when I was twenty that are impossible now [...] It's more than the physical task. It's ...a vision of yourself. If you don't see yourself as being able to do it, then you can't, no matter how easy it is.”
“If she were their mother she'd teach them these things are nothing, the clothes and toys and furniture. These things fool people into thinking they must stay where the things are. Leave it all, she'd teach them, even your hopes, and all the dreams of safe, calm places. Go with what is most terrifying, the dizzying empty night and the lonely stars until night slows and you see the whole design. Always choose love over safety if you can tell the difference...”
“Growing up in an old city, you learn history's one true lesson: that history fades. Nothing sticks together for very long without immense effort. His own strong house is in a constant process of disintegration. He calls workmen to come repair the roof, paint the porches, replace sills; but even this work has no permanence, it will have to be done again in four or five years. Is this noble activity for a man? Patching, gluing, temporizing, begging for time?”
“When people say they are happy for you it may mean they are sad for themselves.”
“Still, he's Emory. He doesn't have to walk her home, especially considering how snitty she was to him. He didn't have to come in and stop her cruelty to Fay, or watch over her as he has evidently been continuing to do, drawing those pictures on the Reeses' sidewalk. She knew the pictures were for her and her children. She and Emory did not always spell things out, but she knew, when he drew pictures, what they meant.”
“That was one helpful thing he said to her, the first thing that caught her attention. "Start your life." Because she had assumed that her life was over.”