“Well, I mean I have forgotten how to go anywhere alone. There are things you have to do. Like throw money into a toll basket on a highway. I'd pull up to it now and panic. Or what if I had to hail a cab? It's hard to believe, but I used to be able to do things when I was twenty that are impossible now [...] It's more than the physical task. It's ...a vision of yourself. If you don't see yourself as being able to do it, then you can't, no matter how easy it is.”
“It's about more than us, now, can't you see? I love you, of course I do, but some things...some things just have to be done.”
“I used to believe having a good memory meant being able to remember everything in perfect detail. Now I believe having a good memory means being able to selectively forget. It's not what I'll remember, Jason," he said. "It's what I'll forget that matters.”
“Wear this, don't wear that. Do this chore now and do this chore when you get a chance and by that I mean now. And definitely, definitely give up the things you love fro me, so I will have proof that you love me best. It's the female pissing contest -- as we swan around our book clubs and our cocktail hours, there are few things women love more than being able to detail the sacrifices our men make for us. A call-and-response, the response being: "Ohh, that's so sweet.”
“You wouldn't understand my works. You wouldn't have the faintest idea of what they were about. You wouldn't appreciate the points of reference. You're way behind. All of you. There's no point in sending you my works. You'd be lost. It's nothing to do with a question of intelligence. It's a way of being able to look at the world. It's a question of how far you can operate on things and not in things. I mean it's a question of your capacity to ally the two, to relate the two, to balance the two. To see, to be able to see! I'm the one who can see. That's why I can write my critical works. Might do you good...have a look at them...see how certain people can view...things...how certain people can maintain...intellectual equilibrium. Intellectual equilibrium. You're just objects. You just...move about. I can observe it. I can see what you do. It's the same as I do. But you're lost in it. You won't get me being...I won't be lost in it.”
“Her's what I tell myself now. That it's vital to learn how to make the best of things. That there is no tenderness without bravery. That if things hadn't been so bad they could never have gotten so good. And that it's always better to have what you have than to get what you wanted. Except for this: Every now and then, when you are impossibly lucky you rise above yourself-and get both.”