“And that's the insult of it, how always it comes back to a woman being a "good" mother in the world's eyes or a "bad" mother, how everything in a woman's life is funneled through her body between her legs.”

“Close up she saw that Molina's eyes were beautiful and dark thik eye lashed the way Lisette's mother tried to make hers with a mascara brush. The skin beneath Molina's eyes were soft and bruised looking and on her throat were tiny dark moles. It did not seem right that a woman like Molina, who you could tell was a mother-her body was a mother's body for sure, wide hips-could be a cop;it did not seem right that this person was carrying a gun, in a holster attached to leather belt, and that she could use it, if she wanted to.”

“Adriana loved even the rank animal smell of the man's body, her sweat-slicked breasts and belly flattened beneath him, and her arms and legs clutching him as a drowning woman might clutch another person to save her life. Don't don't don't don't leave me. DON'T LEAVE ME. As in animal copulation the frenzy is to be locked together not out of sentiment or choice but physical compulsion. As if bolts of electric current ran through both their bodies and would only release them from each other when it ceased.”

“The danger of motherhood. you relive your early self, through the eyes of your mother.”

“He was ugly, himself. Weird-ugly. But ugliness in a man doesn't matter, much. Ugliness in a woman is her life.”

“The fact was that the woman lived the life she chose, she was happy in that life and it was no one's business after all but her own, my uncle's face darkening with blood as he spoke, my mother's fair fine skin pink as if smarting yet still I persisted, for I thought it such a horror, such a grief, yes and an embarrassment too, I said, "She's made a prison of this house, it's like she's a nun, it must be to punish herself," and my mother said quietly, angrily, "You don't know - what do you know! People do what they want to do.”

“Ohhhhh."A lush-bodied girl in the prime of her physical beauty. In an ivory georgette-crepe sundress with a halter top that gathers her breasts up in soft undulating folds of the fabric. She's standing with bare legs apart on a New York subway grating. Her blond head is thrown rapturously back as an updraft lifts her full, flaring skirt, exposing white cotton panties. White cotton! The ivory-crepe sundress is floating and filmy as magic. The dress is magic. Without the dress the girl would be female meat, raw and exposed.She's not thinking such a thought! Not her.She's an American girl healthy and clean as a Band-Aid. She's never had a soiled or a sulky thought. She's never had a melancholy thought. She's never had a savage thought. She's never had a desperate thought. She's never had an un-American thought. In the papery-thin sundress she's a nurse with tender hands. A nurse with luscious mouth. Sturdy thighs, bountiful breasts, tiny folds of baby fat at her armpits. She's laughing and squealing like a four year-old as another updraft lifts her skirt. Dimpled knees, a dancer's strong legs. This husky healthy girl. The shoulders, arms, breasts belong to a fully mature woman but the face is a girl's face. Shivering in New York City mid-summer as subway steam lifts her skirt like a lover's quickened breath."Oh! Ohhhhh."It's nighttime in Manhattan, Lexington Avenue at 51st Street. Yet the white-white lights exude the heat of midday. The goddess of love has been standing like this, legs apart, in spike-heeled white sandals so steep and so tight they've permanently disfigured her smallest toes, for hours. She's been squealing and laughing, her mouth aches. There's a gathering pool of darkness at the back of her head like tarry water. Her scalp and her pubis burn from the morning's peroxide applications. The Girl with No Name. The glaring-white lights focus upon her, upon her alone, blond squealing, blond laughter, blond Venus, blond insomnia, blond smooth-shaven legs apart and blond hands fluttering in a futile effort to keep her skirt from lifting to reveal white cotton American-girl panties and the shadow, just the shadow, of the bleached crotch."Ohhhhhh."Now she's hugging herself beneath her big bountiful breasts. Her eyelids fluttering. Between the legs, you can trust she's clean. She's not a dirty girl, nothing foreign or exotic. She's an American slash in the flesh. That emptiness. Guaranteed. She's been scooped out, drained clean, no scar tissue to interfere with your pleasure, and no odor. Especially no odor. The Girl with No Name, the girl with no memory. She has not lived long and she will not live long.”