“The ideal art, the noblest of art: working with the complexities of life, refusing to simplify, to "overcome" doubt.”
“Literature, art, like civilization itself, are only accidents.”
“My belief is that art should not be comforting; for comfort, we have mass entertainment and one another. Art should provoke, disturb, arouse our emotions, expand our sympathies in directions we may not anticipate and may not even wish.”
“We work in the dark—we do what we can—we give what we have. Our doubt is our passion, and our passion is our task. The rest is the madness of art.”
“It’s up to the writer and the artist to give voice to these people. There are two impulses in art: one is rebellious and transgressive—you explore regions in which you are not wanted, and you will be punished for that. But the other is a way of sympathy—evoking sympathy for people who may be different from us—whom we don’t know. Art is a way of breaking down the barriers between people—these two seemingly antithetical impulses toward rebellion and toward sympathy come together in art.”
“Storytelling is shaped by two contrary, yet complementary, impulses—one toward brevity, compactness, artful omission; the other toward expansion, amplification, enrichment.”